Sökning: "hero"

Visar resultat 11 - 15 av 50 avhandlingar innehållade ordet hero.

  1. 11. I dialog med muntliga och skriftliga berättartraditioner : En undersökning av svenska sjömäns levnadsberättelser

    Författare :Erik Nagel; Barbro Klein; Ulf Palmenfelt; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; life narrative; dialogue; ethnopoetics; letter-writing; motif-complex; test-conflict; Homeric epic; world wars; the Swedish folkhem; levnadsberättelse; dialog; etnopoetik; brev; motivkomplex; testkonflikt; homerisk epik; världskrig; folkhem; Ethnology; etnologi;

    Sammanfattning : This is a study of autobiographical letters written in the early 1950s by seven Swedish sailors. The letters were contributions to a project at the Nordiska Museet in Stockholm aiming to collect and publicize workers' autobiographical narratives. LÄS MER

  2. 12. Divine Suspense : On Kierkegaard's Frygt og Bæven and the Aesthetics of Suspense

    Författare :Andreas Engh Seland; Tros- och livsåskådningsvetenskap; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Søren Kierkegaard; Fear and Trembling; Philosophy of Religion; Aesthetics; Suspense; Paradox of Suspense; Faith; Narrativity; Mikhail Bakhtin;

    Sammanfattning : What does it mean to feel suspense? What kinds of situations give rise to the emotion? What is the connection between suspense and narrativity? And how is it that we can feel suspense upon repeat encounters with the same narrative? These questions are at the center of the first part of this study, where I develop and defend the ‘imminence theory of suspense’. Central to this theory is the claim that suspense arises in situations defined by imminence, by the fact that they are structurally incomplete but geared toward their possible future completion: in other words, situations in which something of essence is imminent. LÄS MER

  3. 13. Ota Pavels sagovärld : Biografiska, narratologiska och språkliga perspektiv på Ota Pavels författarskap

    Författare :Eva-Kersti Almerud; Tora Hedin; Julie Hansen; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Tjeckisk litteratur; saga; Ota Pavel; narratologi; Tjeckoslovakien;

    Sammanfattning : AbstractThe present dissertation analyzes the role of the fairy tale in the literary works of the Czech author Ota Pavel. Ota Pavel (1930–1973) started as a sports reporter and later became a popular and esteemed writer of fiction, mainly short stories. His works have been translated to many languages, among them Swedish. LÄS MER

  4. 14. Uniformity or Diversity? : Facing Portrayals of Ganda Religion

    Författare :Leuben Njinya-Mujinya; David Westerlund; Raimo Harjula; Uppsala universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; History of religions; Buganda; change; conformity; dissent; diversity; ethnicity; Ganda; Ganda religion; Great Lakes Region; Kabaka; ba lubaale; Luganda; mmandwa; non-conformity; uniformity; Religionshistoria; History of religion; Religionshistoria;

    Sammanfattning : This study researches, in a primarily historiographical way, conforming as well as, and in particular, dissenting thought and behavioural dispositions in Ganda religion. It lets the Ganda's existence, by and large, speak for itself on this matter. This occurs in two major ways. LÄS MER

  5. 15. Arbeit am Zufall : Die Formierung des modernen deutschen Romans im 18. Jahrhundert

    Författare :Fredrik Renard; Elisabeth Herrmann; Elisabeth Wåghäll Nivre; Uwe Wirth; Alexandra Strohmaier; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Modern German Novel; Chance; Contingency; Genre Poetics; New Formalism; Christoph Martin Wieland; Karl Philipp Moritz; Johann Wolfgang Goethe; German; tyska;

    Sammanfattning : The present dissertation deals with the relationship between chance and the form of the German novel during its modernization in the eighteenth century. In novels by Wieland, Moritz and Goethe, ‘chance’ poses a complex of problems that the novels process in the course of their narrations and that in turn also influences how the German novel itself, as a new genre in the late eighteenth century, began to gain definition. LÄS MER