Sökning: "gunnar ternhag"

Visar resultat 1 - 5 av 10 avhandlingar innehållade orden gunnar ternhag.

  1. 1. Irish Scene and Sound : Identity, Authenticity and Transnationality among Young Musicians

    Författare :Virva Basegmez; Helena Wulff; Gunnar Ternhag; Stockholms universitet; []
    Nyckelord :Contemporary Ireland; Irish music scene; young musicians; identity; authenticity; transnationality; SOCIAL SCIENCES; SAMHÄLLSVETENSKAP;

    Sammanfattning : Ireland has long been famous for its rich traditional music. Yet the recent global success of Irish pop, rock and traditional music has transformed the Irish music scene into a world centre attracting musicians, tourists, fans and the music industry from both Ireland and abroad. LÄS MER

  3. 2. ”Så vittna du om min mandom!” : Wilhelm Peterson-Bergers konstfilosofi och könsuppfattning, med särskild hänsyn till åren 1896-1913

    Författare :Maria Evertsson; Lars Pettersson; Gunnar Ternhag; Martin Åberg; Karin Hallgren; Karlstads universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Wilhelm Peterson-Berger; philosophy of art; gender theory; nationalism; opera; Arnljot; Wilhelm Peterson-Berger; konstfilosofi; genusteori; nationalism; opera; Arnljot; History; Historia;

    Sammanfattning : The overall purpose of this study is to elucidate Wilhelm Peterson-Berger’s perception of gender and how it is manifested in his philosophy of art. His perception of gender also incorporates conceptions of history, music and nationality. The research question is analysed primarily by reviewing Peterson-Berger’s writings from 1896 to 1913. LÄS MER

  4. 3. Musik och politik i skuggan av nazismen : Kurt Atterberg och de svensk-tyska musikrelationerna

    Författare :Petra Garberding; Mats Lindqvist; Birgitta Almgren; Gunnar Ternhag; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Music; Politics; National Socialism; Sweden; Germany; Kurt Atterberg; Critical Discourse Analysis; Musik; Politik; Nationalsozialismus; Schweden; Deutschland; Kurt Atterberg; Kritische Diskursanalyse; Musik; politik; nazism; Sverige; Tyskland; Kurt Atterberg; Kritisk diskursanalys; Ethnology; Etnologi; Ethnology;

    Sammanfattning : This thesis deals with relations between music and politics in Sweden and Germany during the 1930s and 40s. I study how music was used as a political tool, and the ideas that existed about musical expression of national and ethnic identity and about “good” and “bad” music. LÄS MER

  5. 4. "Vad månde blifva af dessa barnen?" : En studie av David Björlings pedagogik och dess bakgrund i äldre sångundervisningstraditioner

    Författare :Juvas Marianne Liljas; Gunnar Ternhag; Sture Brändström; Kungl. Musikhögskolan; []
    Nyckelord :SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; HUMANIORA; HUMANITIES; Vocal pedagogy; history of vocal pedagogy; hermeneutics; teaching children singing; musical upbringing; Music education; Musikpedagogik; musikpedagogik; Music Education; Music Education;

    Sammanfattning : The dissertation's title is: "What is to become of these children?", a study of David Björling's way of teaching and the background to it in older traditions of teaching singing.During the first decades of the 1900s, David Björling formed a singing school for children with his sons. Teaching started at a sensationally early age. LÄS MER

  7. 5. Museala och musikaliska föreställningar om historiska musikinstrument : En studie av Musikhistoriska museets verksamhet 1899–1918

    Författare :Madeleine Modin; Gunnar Ternhag; Dan Lundberg; Johannes Brusila; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; historical musical instruments; museums of music history; early music; historical concerts; collections of musical instruments; preservation; education; Bildung; vitalisation; revival; Stockholm; Sweden; Hovkapellet; Musikhistoriska museet; Musicology; musikvetenskap;

    Sammanfattning : The aim of this study is to elucidate the reasons and means to preserve and use historical musical instruments in a museum context more than a century ago. Advocates for historical instruments held ideological positions that were either close to musical perspectives, e.g. LÄS MER