Sökning: "gesture"
Visar resultat 11 - 15 av 65 avhandlingar innehållade ordet gesture.
11. Sprachvertonung und Gestik in den Werken Richard Wagners : Einflüsse zeitgenössischer Rezitations- und Deklamationspraxis
Sammanfattning : .... LÄS MER
12. Sprachvertonung und Gestik in den Werken Richard Wagners : Einflüsse zeitgenössischer Rezitations- und Deklamationspraxis
Sammanfattning : Richard Wagner besaß eine eminente schauspielerische Begabung, war aber physisch für die professionelle Schauspielerlaufbahn ungeeignet. Er kompensierte diese Verhinderung auf mehrere Weisen: Zum einen las und sang er sehr gerne dramatische Texte vor. Zum zweiten betätigte er sich als Regisseur, und zwar als erster Regisseur im modernen Sinne. LÄS MER
13. Fåfängans förgänglighet : Allegorin som livs- och lärospegel hos Albertus Pictor
Sammanfattning : In this dissertation I have accounted for the manner in which Albertus Pictor and his workshop actively used dress codes, gestures, and other formal characteristics in the paintings as markers, with the intention of accentuating and elucidating the communicative messages of the pictures. The research material comprises five motifs in the sequence of paintings signed by Albertus Pictor, or ascribed to his workshop, in 15 churches in the Mälaren region. LÄS MER
14. Smärtans mosaik : kommunikation och lärande om långvarig smärta
Sammanfattning : This thesis focuses on how people, living with long-term pain, exploreand communicate their pain, by way of speech as a means for producingrelations between themselves, the. pain and everyday activities. The datamaterial consists of focused research interviews with patients undergoingtreatment for their pain at a pain clinic. LÄS MER
15. Free Ensemble Improvisation
Sammanfattning : The aim of this doctoral project has been to study so-called non-idiomatic improvisation in ensembles consisting of two or three musicians who play together without any restrictions regarding style or genre and without having predetermined what is to be played or how they should play. The background to this thesis has been the author’s own free improvising, which he has pursued since 1974, and the questions that have arisen whilst music-making. LÄS MER