Sökning: "genre formation"

Visar resultat 1 - 5 av 15 avhandlingar innehållade orden genre formation.

  1. 1. Hamlet the Sign : Russian Translations of Hamlet and Literary Canon Formation

    Författare :Aleksei Semenenko; Lars Kleberg; Peter Alberg Jensen; Irena Makaryk; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Shakespeare; Hamlet; translation; literary canon formation; semiotics; canonicity; textuality; microcanon; genre; myth; sign; Slavic languages; Slaviska språk; slaviska språk; Slavic Languages;

    Sammanfattning : This work is an attempt to answer one simple question: What is Hamlet? Based on the material of Hamlet translations into Russian, the dissertation scrutinizes the problems of literary canon formation, translation and textuality proceeding in two parallel directions: the historical analysis of canon formation in translation and the conceptualization of Hamlet’s textuality. The methodological framework is defined in the context of Jurij Lotman’s semiotics of culture, which is invaluable for an understanding of the mechanisms of literary evolution, the theory of translation and literary canon formation. LÄS MER

  2. 2. Dreams of a subversive future : sexuality, (hetero)normativity, and queer potential in science fiction film and television

    Författare :Josefine Wälivaara; Per Ringby; Christina Svens; Stacey Abbott; Umeå universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; Science fiction; film; television; genre; sexuality; queer; storytelling; gender; subversive; intelligibility; Torchwood; Firefly; Star Wars; Star Trek; adult turn; Star’verses; dramaturgy; heteronormativity; film history; Hollywood; Literature; litteraturvetenskap;

    Sammanfattning : The aim of the thesis is to explore depictions of sexuality in popular science fiction film and television through a focus on storytelling, narrative, characters and genre. The thesis analyses science fiction as a film and television genre with a focus on the conventions, interpretations, and definitions of genre as part of larger contexts. LÄS MER

  3. 3. Höra hemma : familj och social förändring i svensk radioserieteater från 1930-talet till 1990-talet

    Författare :Amelie Björck; Litteraturvetenskap; []
    Nyckelord :HUMANIORA; HUMANITIES; 1900s; radio series; radio; radio serial; serial fiction; radio drama; radio theatre; family fiction; family history; home; gender history; intimacy; Swedish history; radio history; genre formation;

    Sammanfattning : Among the formats introduced in Swedish radio in the 1930s, the theatre series about contemporary family life has turned out an exceptional survivor. The first family series, ”Ingenjör Björck med familj” (1936-1943), was followed by 22 related series during the rest of the 20th century, each cultivating its own intimate and ritual based bond with the listeners. LÄS MER

  4. 4. Arbeit am Zufall : Die Formierung des modernen deutschen Romans im 18. Jahrhundert

    Författare :Fredrik Renard; Elisabeth Herrmann; Elisabeth Wåghäll Nivre; Uwe Wirth; Alexandra Strohmaier; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Modern German Novel; Chance; Contingency; Genre Poetics; New Formalism; Christoph Martin Wieland; Karl Philipp Moritz; Johann Wolfgang Goethe; German; tyska;

    Sammanfattning : The present dissertation deals with the relationship between chance and the form of the German novel during its modernization in the eighteenth century. In novels by Wieland, Moritz and Goethe, ‘chance’ poses a complex of problems that the novels process in the course of their narrations and that in turn also influences how the German novel itself, as a new genre in the late eighteenth century, began to gain definition. LÄS MER

  5. 5. Out of Site : Landscape and Cultural Reflexivity in New Hollywood Cinema 1969-1974

    Författare :Henrik Gustafsson; Astrid Söderbergh Widding; Asbjørn Grønstad; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; cultural identity; film analysis; film and nation; genre revisionism; intermediality; landscape in art; landscape in cinema; New Hollywood; new realism; nostalgia film; reflexivity; road movies; Film; Filmvetenskap; Cinema Studies; filmvetenskap;

    Sammanfattning : This dissertation examines landscape as a concept for analysis and interpretation in film studies by considering the New Hollywood cinema in the late 1960s and early 1970s. Contextualized within the contested notion of nationhood at the time as well as the concern among filmmakers to probe the properties, practices and traditions of American cinema, this was also a period when landscape underwent widespread redefinition as a field of artistic and academic practice. LÄS MER