Sökning: "futurism"

Visar resultat 1 - 5 av 6 avhandlingar innehållade ordet futurism.

  1. 1. Majakovskij and futurism 1917-1921

    Författare :Bengt Jangfeldt; Stockholms universitet; []
    Nyckelord :HUMANITIES; HUMANIORA;

    Sammanfattning : .... LÄS MER

  2. 2. Arkitektur och konsumtion : Reyner Banham och utbytbarhetens estetik

    Författare :Helena Mattsson; KTH; []
    Nyckelord :ENGINEERING AND TECHNOLOGY; TEKNIK OCH TEKNOLOGIER; Reyner Banham; architecture; consumption; design; aesthetic; Independent Group; Post-war period; Jean Baudrillard; late capitalism; pop art; mass production; Walter Benjamin; Richard Hamilton; differentiated market; flexible organization; the new brutalism; Alison and Peter Smithson; House of the Future; machine aesthetics; futurism; technology; tradition; environment; operative criticism; Buckminster Fuller; arkitektur; konsumtion; design; estetik; Independent group; efterkrigstiden; senkapitalism; popkonst; massproduktion; populärkultur; Civil engineering and architecture; Samhällsbyggnadsteknik och arkitektur;

    Sammanfattning : The dissertation analyses the relation between architecture, design and consumption according to Peter Reyner Banham’s notion of an “aesthetics of expendability”. This issue is studied through such source materials as texts, buildings, competition entries and exhibitions produced from the early fifties to the early sixties. LÄS MER

  3. 3. Textteori för läsforskare

    Författare :Christian Mehrstam; Göteborgs universitet. Humanistiska fakulteten; []
    Nyckelord :HUMANITIES; HUMANIORA; SOCIAL SCIENCES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; SAMHÄLLSVETENSKAP; HUMANITIES; HUMANIORA; SAMHÄLLSVETENSKAP; HUMANIORA; SOCIAL SCIENCES; HUMANITIES; Text theory; reader-response theory; reception æsthetics; systems; Litteraturvetenskap; Literary studies;

    Sammanfattning : The dissertation examines a prevalent problem in reception studies: how can we actually observe and describe the text (defined as an element that enables and restricts reading experiences) as either given and transcendent to any reading practice or as uniquely produced in each reading? The author tries to find a solution by aid of Wittgenstein's philosophy of language, Kenneth Burke's socio-rhetorics and Niklas Luhmann's systems theory. These perspectives are discussed in turn and tested in readings of a few pages on Mayakovsky and futurism taken from a textbook. LÄS MER

  4. 4. Textteori för läsforskare ('Text theory for reading scholars')

    Författare :Christian Mehrstam; Göteborgs universitet; Göteborgs universitet; Gothenburg University; []
    Nyckelord :Text theory; reader-resonse theory; reception aesthetics; systems theory; language games; dramatism; epistemology; interaction; transaction; didactics; Ludwig Wittgenstein; Kenneth Burke; Niklas Luhmann; Vladimir Mayakovsky; textbooks; national curricula;

    Sammanfattning : The dissertation examines a prevalent problem in reception studies: how can we actually observe and describe the text (defined as an element that enables and restricts reading experiences) as either given and transcendent to any reading practice or as uniquely produced in each reading? The author tries to find a solution by aid of Wittgenstein's philosophy of language, Kenneth Burke's socio-rhetorics and Niklas Luhmann's systems theory. These perspectives are discussed in turn and tested in readings of a few pages on Mayakovsky and futurism taken from a textbook. LÄS MER

  5. 5. Nihilism, Art, and Technology

    Författare :Sven-Olov Wallenstein; Staffan Carlshamre; Arnfinn Bö-Rygg; Stockholms universitet; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANIORA; HUMANITIES; nihilism; art; technology; avant-garde; architecture; critical theory; Martin Heidegger; Walter Benjamin; Ernst Jünger; Mies van der Rohe; Philosophy subjects; Filosofiämnen; Theoretical Philosophy; teoretisk filosofi;

    Sammanfattning : The thesis investigates the role of technology in the formation of the artistic avant-garde, along with various forms of philosophical reflection on this development, with a particular emphasis on Heidegger. Setting out from an analysis of three paradigmatic cases in the interplay between art and technology—the invention of photography, the shift from Futurism to Constructivism, and the interpretation of technology in debates on architectural theory in the 1920s and ’30s—it proceeds to a discussion of three philosophical responses to this development, those found in Walter Benjamin, Martin Heidegger, and Ernst Jünger, all of which share a certain avant-garde sensibility and a notion of art as a response to nihilism. LÄS MER