Sökning: "filmproduktion"

Hittade 5 avhandlingar innehållade ordet filmproduktion.

  1. 1. Framing the Gaze : (Audio-) Visual Design Intentions and Perceptual Considerations in Film Editing

    Författare :Thorbjörn Swenberg; Yvonne Eriksson; Árni Sverrisson; Pia Tikka; Högskolan Dalarna; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANIORA; HUMANITIES; moving image editing; film production; TV production; audiovisual design; audiovisual perception; filmklippning; videoredigering; filmproduktion; TV-produktion; audiovisuell design; audiovisuell perception; Intercultural Studies; Interkulturella studier; Innovation and Design; innovation och design;

    Sammanfattning : The theme for this doctoral thesis focuses on how a film editor strives actively to perceptually frame and direct the film viewer’s gaze across film edits. The editor’s (audio-)visual intentions concerning the film viewing correspond to perceptual considerations that the editor makes during film editing. LÄS MER

  2. 2. Postproduction Agents : Audiovisual Design and Contemporary Constraints for Creativity

    Författare :Thorbjörn Swenberg; Yvonne Eriksson; Árni Sverrisson; Oskar Juhlin; Mälardalens högskola; []
    Nyckelord :HUMANITIES; HUMANIORA; ENGINEERING AND TECHNOLOGY; TEKNIK OCH TEKNOLOGIER; SOCIAL SCIENCES; SAMHÄLLSVETENSKAP; TEKNIK OCH TEKNOLOGIER; HUMANIORA; ENGINEERING AND TECHNOLOGY; HUMANITIES; film production; moving image; audiovisual communication; information design; filmproduktion; rörlig bild; audiovisuell kommunikation; informationsdesign; Innovation and Design; innovation och design;

    Sammanfattning : Moving images and sounds are processed creatively after they have been recorded or computer generated. These processes consists of design activities carried out by workers that hold ‘agency’ through the crafts they exercise, because these crafts are defined by the Moving Image Industry and are employed in practically the same way regardless of company. LÄS MER

  3. 3. Videography as production nexus : digital film cameras, media mangement and the distribution of creativity

    Författare :Per Erik Eriksson; Yvonne Eriksson; Ingemar Grandin; Högskolan Dalarna; []
    Nyckelord :videography; media management; creativity; Kreativa beslut i produktionssituation inom filmproduktion; Kreativa beslut i produktionssituation inom filmproduktion; Innovation and Design; innovation och design;

    Sammanfattning : This thesis is about new digital moving image recording technologies and how they augment the distribution of creativity and the flexibility in moving image production systems, but also impose constraints on how images flow through the production system. The central concept developed in this thesis is ‘creative space’ which links quality and efficiency in moving image production to time for creative work, capacity of digital tools, user skills and the constitution of digital moving image material. LÄS MER

  4. 4. Postproduction agents : audiovisual design and contemporary constraints for creativity

    Författare :Thorbjörn Swenberg; Yvonne Eriksson; Árni Sverrisson; Oskar Juhlin; Högskolan Dalarna; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANIORA; HUMANITIES; Kreativa beslut i produktionssituation inom filmproduktion; Kreativa beslut i produktionssituation inom filmproduktion;

    Sammanfattning : .... LÄS MER

  5. 5. Dokumentärfilmen som tidsresa - Modstrilogin

    Författare :Ingrid Esping; Filmvetenskap; []
    Nyckelord :HUMANIORA; HUMANITIES; Arne Sucksdorff; Peter Weiss; Harry Schein; FilmCentrum; Folkets Bio; 1960-tal; 1970-tal; 1980-tal; John Grierson; dokumentärfilm och etik; dokumentära metoder; Filmvetenskap; Cinema theory and history; Dokumentärfilm; Stefan Jarl;

    Sammanfattning : Stefan Jarl (1941-) is perhaps most well known for his trilogy of films about a group of outcast mods in the Swedish welfare state. The trilogy covers three decades: the first film, They Call Us Misfits, was made in 1968; the second, A Respectable Life, in 1979, and the third, Misfits to Yuppies, in 1993. LÄS MER