Sökning: "film postcolonial"

Hittade 4 avhandlingar innehållade orden film postcolonial.

1. 1. Order in Ruins : British Society and the Media Assemblage of The World at War c. 1970-1975

   Författare :Allan Burnett; Mediehistoria; []
   Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; Media history; History; Media; History; 20th Century; Media analysis; media and communication studies; Media and democracy; media and political engagement; media and politics; media and power; media and social relations; Media ecology; media ethics; Deleuze and Guattari; McLuhan; Gender history; British history; Social history; Memory studies; Nationalism; Transnational; National Identity; Second World War; Cold War; Cold War culture; European history; African history; Television; television production; television and everyday life; television history; Film and history; film as historical source material; television culture; film analysis; film archives; film archive; Oral history; Media technology; broadcasting history; 1960- och 1970-tal; 1970s; Assemblage theory; Public history; Postcolonial; war history; Military history; Holocaust memory; memory culture; history culture; British Empire; Enoch Powell; Thatcher; New Left; history of class divisions; Women s movement; Women s history; postmodernity; generational relation; generational shift; Holocaust; postwar era; Journalism and New media; Journalistic culture; journalistic ideology; journalistic roles; journalistic practices; journalistic techniques; Anglo-american; European Community; Decolonisation; Decolonization; migrational history; National identity; Communities of belonging; Globalisation; nuclear age; atomic age; Apocalyptic narrative; Apocalyptic; documentary; Documentary film; documentaries; Filmmaking; Filmmakers; Soviet history; Nazi Germany;

   Sammanfattning : This thesis studies a period of intense crisis and creativity in British media, society, and culture, when the settled outcome of the Second World War (WW2) was perceived to be disintegrating. The post-world-war order was becoming an ‘order in ruins’. LÄS MER

3. 2. Folkhemsk film : Med ”invandraren” i rollen som den sympatiske Andre

   Författare :Carina Tigervall; Umeå universitet; []
   Nyckelord :SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; Sociology; Film analysis; Representation; Immigrants; Ethnicity; Gender; Discourse analysis; Intersectional analysis; Sociologi; Sociology; Sociologi;

   Sammanfattning : The main objective of this thesis is to study representations of ‘the immigrant’ in Swedish films during the last 30 years – 1970-2000. The main question is whether the films are to be seen as reproducing the dominant order in society or as subversive practices. LÄS MER

4. 3. Blurring the Colonial Binary : Turn-of-the-Century Transnational Entertainment in Southeast Asia

   Författare :Nadi Tofighian; John Fullerton; Charles Musser; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; colonial history; early cinema; film history; distribution; transnational networks; entertainment culture; Southeast Asia; Singapore; postcolonial theory; colonial discourse; ethnicity; race; whiteness; Cinema Studies; filmvetenskap;

   Sammanfattning : This dissertation examines and writes the early history of distribution and exhibition of moving images in Southeast Asia by observing the intersection of transnational itinerant entertainment and colonialism. It is a cultural history of turn-of-the-century Southeast Asia, and focuses on the movement of films, people, and amusements across oceans and national borders. LÄS MER

5. 4. "Skeendet på stället" : Röster och samtidigheter i tre verk av Sara Lidman

   Författare :Anna Salomonsson; Peter Forsgren; Åsa Nilsson Skåve; Annelie Bränström Öhman; Linnéuniversitetet; []
   Nyckelord :HUMANIORA; HUMANITIES; Sara Lidman; dialogicity; modernity; colonialism; postcolonialism; concurrences; Mikhail Bakhtin; Gayatry Chakravorty Spivak; Frantz Fanon; Sara Lidman; dialogicitet; modernitet; kolonialism; postkolonialism; concurrences; Michail Bachtin; Gayatry Chakravorty Spivak; Frantz Fanon; Comparative literature; Litteraturvetenskap;

   Sammanfattning : This thesis examines how cultural encounters and asymmetrical power relationships are depicted in three works by Sara Lidman (1923–2004): Hjortronlandet (“Cloudberry Land”) from 1955, Med fem diamanter (“With Five Diamonds”) from 1964 and Samtal i Hanoi (“Conversations in Hanoi”) from 1966. They are set in three very different colonial contexts, northern Sweden in the early 20th century, Kenya in the early 1960’s and Vietnam in 1965, and take place in a time of transition when an agricultural, local way of life is challenged by a Eurocentric understanding of modernity and knowledge. LÄS MER