Sökning: "film och tv"

Visar resultat 1 - 5 av 28 avhandlingar innehållade orden film och tv.

  1. 1. Redigering och skuld : Ett kognitivt perspektiv på redigeringensfunktioner i ansvarsutkrävande tv-reportage

    Författare :Piotr Urniaz; Stefan Sjöström; Göran Ericsson; Umeå universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; TV journalism; attribution of guilt; mental models; Jürgen Habermas; Formal Pragmatics; visual communication; communicative ethics; media literacy; cognition; the viewer; investigative journalism; media accountability; political scandals; critical realism; documentary film; Tv-journalistik; granskande journalistik; redigering; dokumentärfilm; reception; kommunikativ etik; Jürgen Habermas; audiovisuell kommunikation; argumentation; skuld; skuldattribuering; ansvarsutkrävande; medieskandaler; formalpragmatik; manipulation; komposition; medie- och kommunikationsvetenskap; media and communication studies;

    Sammanfattning : Abstract: During the past decade, media researchers have intensified the study of media scandals and the role of journalism as an institution that holds social actors responsible for malfeasance and wrongdoings. On a micro level of analysis, the main attention has beendirected towards the journalistic interview and its use to promote the impression of guilt and journalistic neutrality. LÄS MER

  3. 2. Inter esse : Det skapande subjektet, Norén och Reality

    Författare :Per Zetterfalk; Sven-Eric Liedman; Suzanne Osten; Bo Florin; Maaret Koskinen; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Lars Norén; Reality; artistic research; creativity; subject; writing and directing; fiction and reality; tacit knowledge; aesthetics; TV; media and art; Film; Filmvetenskap; Cinema Studies; filmvetenskap; Artistic practices; Performativa och mediala praktiker; med inriktning mot film och media koreografi opera scen;

    Sammanfattning : At the centre of this dissertation is the artistic formation and, as an extension, the scientific formation. The purpose of the work is to reflect on the way from ambition to creation, to capture what about this process is unique. I have chosen two objects for my research. LÄS MER

  4. 3. Folkhemmets skuggbilder. En kulturanalytisk genrestudie av svensk kriminalfiktion i film och tv

    Författare :Daniel Brodén; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; crime film; crime fiction; genre studies; culture studies; Swedish film history; television drama; Folkhemmet; welfare state; modernity and ambivalence; detective film; psychological thriller; police film; political thriller.;

    Sammanfattning : .... LÄS MER

  5. 4. Skol-TV - traditioner, visioner och former : en studie av skol-TV:s förutsättningar, framväxt och utveckling under 1960-talet

    Författare :Margareta Borg; Filmvetenskap; []
    Nyckelord :HUMANIORA; HUMANITIES; Television; medier i undervisning; skolväsende; fiktion och icke-fiktion; modernitet; eurocentrism; Film- och teatervetenskap; Cinema and Theater theory and history; skol-TV; Pedagogy and didactics; Pedagogik; didaktik;

    Sammanfattning : This dissertation is about the introduction of school television in Sweden during the 1960?s. It focuses partly on formal and institutional attitudes and values, as in the educational system, and it is partly an investigation of the actual programmes made. LÄS MER

  7. 5. Framing the Gaze : (Audio-) Visual Design Intentions and Perceptual Considerations in Film Editing

    Författare :Thorbjörn Swenberg; Yvonne Eriksson; Árni Sverrisson; Pia Tikka; Mälardalens högskola; []
    Nyckelord :HUMANIORA; HUMANITIES; moving image editing; film production; TV production; audiovisual design; audiovisual perception; filmklippning; videoredigering; filmproduktion; TV-produktion; audiovisuell design; audiovisuell perception; Innovation and Design; innovation och design; Intercultural Studies;

    Sammanfattning : The theme for this doctoral thesis focuses on how a film editor strives actively to perceptually frame and direct the film viewer’s gaze across film edits. The editor’s (audio-)visual intentions concerning the film viewing correspond to perceptual considerations that the editor makes during film editing. LÄS MER