Sökning: "film och religion"
Visar resultat 1 - 5 av 20 avhandlingar innehållade orden film och religion.
1. Film och mening : En receptionsstudie om spelfilm, filmpublik och existentiella frågor
Sammanfattning : In what ways and under what circumstances can a movie be a resource for individuals and their thoughts about existential matters? This central research question has been investigated using a both quantitative and qualitative approach. First, a questionnaire was distributed amongst 179 Swedish students to provide a preliminary overview of film habits. LÄS MER
2. Hellraiser : om Clive Barkers film
Sammanfattning : In this dissertation I will discuss horror film as a genre and study how Hellraiser relates to its themes and problems. First I describe the production of the film and after that I present Clive Barker - his background, authorship, film-making and artwork. Next I study the problems of the genre and the different ways in which this genre is defined. LÄS MER
3. Film och mening : En receptionsstudie om spelfilm, filmpublik och existentiella frågor
Sammanfattning : In what ways and under what circumstances can a movie be a resource for individuals and their thoughts about existential matters? This central research question has been investigated using a both quantitative and qualitative approach. First, a questionnaire was distributed amongst 179 Swedish students to provide a preliminary overview of film habits. LÄS MER
4. The Untimely-Image : On Contours of the New in Political Film-Thinking
Sammanfattning : This study creates and develops a concept called the untimely-image including two sub-concepts called contours of the new and the untimely-site. The untimely-image concerns the clearing for and the expression of figures of “potential” in thought in the form of moving-images. LÄS MER
5. Suriashi as Experimental Pilgrimage in Urban and Other Spaces
Sammanfattning : This practice-led PhD-thesis draws on an existing Japanese movement practice called suriashi, which translates as sliding foot. Suriashi is a specific gender codified walking technique in classical Japanese dance and theatre, and an important method for acting on stage. LÄS MER