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14 avhandlingar som matchar ovanstående sökkriterier.
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Författare :Alex Nowitz; Rolf Hughes; Sten Sandell; Åse Tone; Stockholms konstnärliga högskola; []
Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Music; acousmatic and disembodied voice; æsthetics of uncertainty and in-between; composer-performer; contemporary vocal performance art; custom musical instrument DIY ; digital musical instrument DMI ; electronic and electroacoustic music; expanding the field of vocal performance art; extended vocal techniques; extending the voice; gesture-controlled live electronics; improvisation and real-time composition; inclusive vocal performance practises; interactive sound and music; multidirectional listening; multivocality; multivocal voice; new vocality; sampling practises for vocal and musical improvisation; schizophonic practices; sensor-based and computer-based technology; singer-composer; sound art; sound technology; STEIM; strophonion; vocal materiality and liminality; vocal personas; vocal sound dance; wireless technology; Performativa och mediala praktiker; med inriktning mot film och media koreografi opera scen; Performative and mediated practices; with specializations in choreography film and media opera performing arts;
Sammanfattning :
Proposing a ‘multivocal practice’ in the vocal arts, this exposition (documented artistic research project) embodies an inclusive approach to four core categories for the contemporary performance voice: the singing, speaking, extended and disembodied voice. The culmination of a four-year PhD project in the Performative and mediated practices, with specializations in choreography/film and media/opera /performing arts, it documents artistic research sub-projects through the presentation of multimedia material, interweaving performance recordings with reflection and informative threads. LÄS MER
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Författare :Kerstin Perski; Kristina Hagström-Ståhl; Bengt Bok; Sten Sandell; Stockholms konstnärliga högskola; []
Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; opera; libretto; music and text; dramaturgy; music drama; cross-border methods; collaborative processes; reciprocal processes; sketches; phenomenological method; intentionality; common intentionality; emotional figured bass; the terrain map; physical poetry; vocal acting; instrumental acting; synergy; synesthetic connections; the transformation navigator; the third image; emotional gesticulation; emotional enrichment; I–Thou; I–It; opera; libretto; text; dramaturgi; musikdramatik; transformation; gränsöverskridande metoder; kollaborativa processer; reciproka processer; skisser; fenomenologisk metod; intentionalitet; gemensam intentionalitet; känslomässig generalbas; terrängkartan; fysikalisk poesi; vokalt agerande; instrumentalt agerande; synergi; synestetiska samband; transformationsvägvisare; den tredje bilden; emotionell gestikulation; emotionell anrikning; Jag–Du; Jag–Det; Performativa och mediala praktiker; med inriktning mot film och media koreografi opera scen; Performative and mediated practices; with specializations in choreography film and media opera performing arts;
Sammanfattning :
From the librettist’s perspective, the traditional working methods which tend to dominate in the creation of new music drama, often result in a situation where the initial intentions are lost along the way. How can we get away from a rigid methodology, where the different professionals involved in the creation of new music drama have to succumb to a procedure which can be likened to a whispering game? A procedure, where the dramatic content, rather than undergoing an emotional enrichment in its transformation into music, often loses the crucial connections to the initial intentions. LÄS MER
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Författare :Camilla Jonasson; Lärare (Musikhögskolan); []
Nyckelord :SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; HUMANIORA; HUMANITIES; musikpedagogik; musikskaparhybrid; ; musikteknologi; tjejer och transpersoner hbtqia ; sociomaterialitet;
Sammanfattning :
The purpose of this dissertation is to contribute to a better understanding of the relations between music technology and girls and transgender persons (aged 13–21) in music making. The research subject is leisure time music making in music technology learning environments, where issues of gender equality are emphasized. LÄS MER
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Författare :Mattias Fyhr; Jönköping University; []
Nyckelord :HUMANIORA; HUMANITIES; Gotik; gotisk roman; gotisk litteratur; skräckromantik; skräck; Inger Edelfeldt; Mare Kandre; Per Hagman; Alexander Ahndoril; Nikanor Teratologen; Magnus Dahlström; Bruno K Öijer; Åsa Grennvall; Horace Walpole; Ann Radcliffe; Matthew Gregory Lewis; Mary Shelley; Charles Maturin; Edgar Allan Poe; Lovecraft; Bret Easton Ellis; Neil Gaiman; Lovecraft; The Cure; Cortex; The Damned; Emperor; Fields of the Nephilim; Freddie Wadling; Joy Division; Sisters of Mercy; Lucio Fulci goth; vampyrer; monster; Literature; Litteraturvetenskap;
Sammanfattning :
.... LÄS MER
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Författare :Rikard Hoogland; Willmar Sauter; Jørn Langsted; Stockholms universitet; []
Nyckelord :HUMANIORA; HUMANITIES; Pierre Bourdieu; Anthony Giddens; regional theatres; theatre for children; cultural fields; theatrical event; cultural policy; regionalism; social democracy; welfare state; theatre critique; group theatre; Nobuko Kawashima; Willmar Sauter; kulturpolitik; regionalisering; länsteatrar; regionteatrar; socialdemokrati; välfärdsstat; teaterkritik; gruppteater; fria grupper; barnteater; kulturella fält; teaterhändelsen; Riksteatern; Västernorrlands regionteater; Teater Västernorrland; Länsteatern i Dalarna; Dalateatern; Västmanlands länsteater; Teater Västmanland; Film; Filmvetenskap; teatervetenskap; Theatre Studies;
Sammanfattning :
The aim of this dissertation is to examine the impact that the new cultural policy had on the field of Swedish theatre in the 1970s. Of special interest is the system of regional theatres that emerged from the new cultural policy. In focus are the central political process, and the founding of three regional theatres. LÄS MER
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