Sökning: "film filosofi"

Visar resultat 1 - 5 av 12 avhandlingar innehållade orden film filosofi.

  1. 1. The Untimely-Image : On Contours of the New in Political Film-Thinking

    Författare :Jakob Nilsson; Astrid Söderbergh-Widding; Tom Conley; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Film-thinking; film-philosophy; political film; the untimely; Deleuze; The Wire; Badiou; Jameson; the new; novelty; advanced capitalism; cognitive mapping; blackness; Greek tragedy; aesthetics; Cinema Studies; filmvetenskap;

    Sammanfattning : This study creates and develops a concept called the untimely-image including two sub-concepts called contours of the new and the untimely-site. The untimely-image concerns the clearing for and the expression of figures of “potential” in thought in the form of moving-images. LÄS MER

  3. 2. Örat nära munnen : samtal mellan film och filosofi

    Författare :Marius Dybwad Brandrud; Malin Wahlberg; Jonna Bornemark; Katya Sander; Stockholms konstnärliga högskola; []
    Nyckelord :HUMANIORA; HUMANITIES; conversation; representation; responsibility; ethics; film as philosophy; philosophy education; Emmanuel Levinas; Judith Butler; Gilles Deleuze; Rosalyn Diprose; Adriana Cavarero; Raymonde Carasco; Anne Carson; Chantal Akerman; Jakob A. Nilsson; Degree of Doctor of Philosophy in Fine Arts in Performative and Media Based Practices with Specialisation in Film and Media.; Degree of Doctor of Philosophy in Fine Arts in Performative and Media Based Practices with Specialisation in Film and Media.; Konstnärlig doktorsexamen i performativa och mediala praktiker med inriktning i film och media; Konstnärlig doktorsexamen i performativa och mediala praktiker med inriktning i film och media;

    Sammanfattning : Doktorandprojektet är en studie i och genom filmiska samtal. Det genomförs i relation till samtalets roll i lärandet av filosofi. Medan filosofi oftast antar individuellt skriven form studeras hur filmiska samtal kan fungera som filosofiskt uttryck, främst utifrån filmen Samtal om samtal som är projektets huvudmaterial. LÄS MER

  4. 3. Beyond the Witness : Holocaust Representations and the Testimony of Images

    Författare :Rebecka Katz Thor; Cecilia Sjöholm; Stefan Jonsson; Gertrud Koch; Thomas Keenan; Södertörns högskola; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Image; film; witness; Holocaust; Warsaw ghetto; Westerbork; Eichmann; Harun Farocki; Yael Hersonski; Eyal Sivan; archive; testimony; commemoration.; film; bild; vittne; vittnesmål; förintelsen; arkiv; Farocki; Hersonski; Sivan; Kritisk kulturteori; Critical and Cultural Theory; Östersjö- och Östeuropaforskning; Baltic and East European studies;

    Sammanfattning : In a time when the very last Holocaust witnesses will soon be gone, a possible route for commemoration is to ask what testimony images can give. This book seeks to answer the question of how images can bear witness by examining them as multifaceted entities produced, reproduced, and resituated in conflicting political and historical situations. LÄS MER

  5. 4. Suriashi as Experimental Pilgrimage in Urban and Other Spaces

    Författare :Ami Skånberg Dahlstedt; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Suriashi; Slow Walking; Gendered Walking; Japanese dance; Nihon Buyō; Postmodern dance; Japanese theatre; Nō theatre; Practice-led research; Artistic research; Intercultural dance; pilgrimage; critical heritage; screendance;

    Sammanfattning : This practice-led PhD-thesis draws on an existing Japanese movement practice called suriashi, which translates as sliding foot. Suriashi is a specific gender codified walking technique in classical Japanese dance and theatre, and an important method for acting on stage. LÄS MER

  7. 5. Sinnesstämning, skratt och hypokondri : Om estetisk erfarenhet i Kants tredje Kritik

    Författare :Anna Enström; Cecilia Sjöholm; Rebecka Lettevall; Ståle Finke; Södertörns högskola; []
    Nyckelord :HUMANIORA; HUMANITIES; Immanuel Kant; aesthetics; sensibility; aesthetic experience; contemporary art; Gemüt; Stimmung; mind; mood attunement; wit; laughter; hypochondria; feeling; thinking; ideal embodiment; tautegory.; Immanuel Kant; estetik; sinnlighet; estetisk erfarenhet; samtida konst; Gemüt; Stimmung; sinnesstämning; vits; skratt; hypokondri; förnimma känna; tänka; idealt förkroppsligande; tautegori; Kritisk kulturteori; Critical and Cultural Theory; Östersjö- och Östeuropaforskning; Baltic and East European studies;

    Sammanfattning : This thesis considers Immanuel Kant’s notion of sensibility in the Critique of the Power of Judgment (1790) and Anthropology from a Pragmatic Point of View (1798). It directs attention to sensibility’s function in Kant’s conceptualisation of aesthetic experience and thereby shows how the central role of sensibility in the third Critique contributes to a deeper understanding of aesthetic experience. LÄS MER