Sökning: "film audience"

Visar resultat 1 - 5 av 37 avhandlingar innehållade orden film audience.

  1. 1. Film och mening : En receptionsstudie om spelfilm, filmpublik och existentiella frågor

    Författare :Tomas Axelson; Alf Linderman; Birgitta Höijer; Uppsala universitet; []
    Nyckelord :Humanities and religion; Film; religion; audience; existential matters; meaning-making; social cognition; schema theory; interpretative horizons; moral framework; individualization; HUMANIORA OCH RELIGIONSVETENSKAP;

    Sammanfattning : In what ways and under what circumstances can a movie be a resource for individuals and their thoughts about existential matters? This central research question has been investigated using a both quantitative and qualitative approach. First, a questionnaire was distributed amongst 179 Swedish students to provide a preliminary overview of film habits. LÄS MER

  3. 2. Hellraiser : om Clive Barkers film

    Författare :Anna Arnman; Lars Gustaf Andersson; Bo Florin; Filmvetenskap; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Monstrous; Aesthetics; Cenobites; Sexuality; Family; House; Religion; 80´s horror films; Humanities; Humaniora; Konstvetenskap; Art History; Allmän och jämförande litteraturvetenskap; Genre; General and comparative literature; Horror; Body; Horror; Film; Film Studies;

    Sammanfattning : In this dissertation I will discuss horror film as a genre and study how Hellraiser relates to its themes and problems. First I describe the production of the film and after that I present Clive Barker - his background, authorship, film-making and artwork. Next I study the problems of the genre and the different ways in which this genre is defined. LÄS MER

  4. 3. Tabu : Filmaren Vilgot Sjöman

    Författare :Anders Åberg; Växjö universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; film; filmregissörer; svensk filmhistoria; politik; sex; censur; Film; Filmvetenskap; Film Studies; Filmvetenskap; Political Cinema; Humaniora; Humanities; Swedish Film; Sjöman;

    Sammanfattning : This thesis is a thematic and historical analysis of of Sjöman’s œuvre and its significance for Swedish film culture, focussing on his most important films during the 1960s and 1970s. Sjöman started as a novelist in the late 1940s, and has since then accomplished an œuvre consisting of some 60 works, mostly novels, plays, essays, and films. LÄS MER

  5. 4. Scenes from an Audience : The auteur and the film text in audience experiences: Ingmar Bergman – a case study

    Författare :Jono Van Belle; Maaret Koskinen; Stijn Joye; Gino Verleye; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; historical audience research; film reception; Ingmar Bergman; Sweden; Belgium; heterosexual love and marriage; Scener ur ett äktenskap; Cinema Studies; filmvetenskap;

    Sammanfattning : Over the last decades, the new cinema history (NCH) strand has developed within film studies. This new strand moves away from the traditional focus on film texts and instead focuses on cinemagoing as social and cultural phenomenon, and the cinema as a social institution. LÄS MER

  7. 5. Film och mening : En receptionsstudie om spelfilm, filmpublik och existentiella frågor

    Författare :Tomas Axelson; Högskolan Dalarna; []
    Nyckelord :Film; religion; audience; existential matters; meaning-making; social cognition; schema theory; interpretative horizons; moral framework; individualization;

    Sammanfattning : In what ways and under what circumstances can a movie be a resource for individuals and their thoughts about existential matters? This central research question has been investigated using a both quantitative and qualitative approach. First, a questionnaire was distributed amongst 179 Swedish students to provide a preliminary overview of film habits. LÄS MER