Sökning: "female artists"

Visar resultat 1 - 5 av 10 avhandlingar innehållade orden female artists.

  1. 1. Vägen till parnassen: En sociologisk studie av kvinnligt konstnärskap i Sverige 1864-1939 : The Path to Parnassus: A sociological study offemaie artists in Sweden, 1864-1939

    Författare :Iréne Winell-Garvén; Göteborgs universitet; Göteborgs universitet; Gothenburg University; []
    Nyckelord :Bourdieu; female artists; canons; consecration; art history writing; feminist art research.;

    Sammanfattning : This thesis clarifies how female artistry in Sweden is constructed, ptimarily with the help of Pierre Bourdieu' s key concepts (habitus)(capital )+field=practice, and chiefly through three institutions: art collecting, art history writing, and art criticism. The period covered is 1864-1939 with a background trom the early 1800s and a view forward to the year 2000. LÄS MER

  2. 2. Det ambivalenta perspektivet : Eva Bonnier och Hanna Hirsch-Pauli i 1880-talets konstliv

    Författare :Margareta Gynning; Uppsala universitet; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANIORA; HUMANITIES; Art history; Eva Bonnier; Hanna Hirsch-Pauli; 19th-century Art; Feminist studies; women artists; August Malmströms private academy; Women s department at the Royal Academy of Art in Stockholm; Nordic artists in Paris; Juste-milieu-painters; Colarossi Academy in Paris; Art reviews 1885-1894 ; Konstvetenskap; Art; Konstvetenskap; History Of Art; konstvetenskap;

    Sammanfattning : This dissertation focuses on two Swedish artists, Eva Bonnier (1857-1909) and Hanna Hirsch-Pauli (1864-1940) and their relationship to the educational system, artistic trends and exhibitions of the 1880's. The aim of the thesis is to re-assess history from a feminist perspective and change the prevalent modernist art history view of the period. LÄS MER

  3. 3. Randi Fisher - svensk modernist

    Författare :Linda Fagerström; Avdelningen för konsthistoria och visuella studier; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; SOCIAL SCIENCES; SAMHÄLLSVETENSKAP; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; Randi Fisher; Gender and art; Cultural Sociology; Pierre Bourdieu; Concretism; Men of 1947 ; Gender and art critiscism; Women artists self-portraits; Swedish modernism; Public art; Humanities; Humaniora; Modernism; konst; Sverige; Art science; Konstvetenskap; Gender Studies; Genusvetenskap;

    Sammanfattning : The main subject of this thesis is the art of Swedish artist Randi Fisher (1920-1997). She was educated at Royal Academy of Fine Arts in Stockholm and mainly worked as a painter in many techniques. Textile art and public art cought her interest, and, from 1960 and onwards, stained glass painting. LÄS MER

  4. 4. Reading Rap : Feminist Interventions in Men and Masculinity Research

    Författare :Kalle Berggren; Elisabet Näsman; Keith Pringle; Tora Holmberg; Chris Beasley; Uppsala universitet; []
    Nyckelord :SOCIAL SCIENCES; SAMHÄLLSVETENSKAP; hip hop; rap lyrics; men and masculinity; feminist theory; intersectionality; queer theory; poststructuralism; feminist phenomenology; discourse analysis; cultural studies; popular music; gender; sexuality; race; class; Sociologi; Sociology;

    Sammanfattning : The present thesis explores how masculinity is constructed and negotiated in relation to race, class and sexuality in hip hop in Sweden. Theoretically, the study contributes to the increasing use of contemporary feminist theory in men and masculinity research. LÄS MER

  5. 5. Spegling och skapande : En studie i Lena Cronqvists "Målaren och hennes modell"

    Författare :Nina Weibull; Tomas Björk; Margaretha Lagerlöf; Anette Göthlund; Stockholms universitet; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANIORA; HUMANITIES; Self-portrait; Mirror; Creativity; Nude; Gaze; Gender; Paraphrase; Psychoanalysis; Primary Process Thinking; Border Object ; Mother s Body; Identity; Ambiguity; Androgyny; Alchemy; Vanity; Narcissus; Medusa; Freud; Lacan; Klein; Irigaray; Modersohn-Becker; Matisse; Kahlo; Helen Chadwick; Art; Konstvetenskap;

    Sammanfattning : For their self-representation painters are referred to the use of existing codes of representation. These codes can be modified by displacement of conventional meaning. In the historically central discourse of the figure of the artist, the model functions as a complementary aspect of the painter. LÄS MER