Sökning: "etik musik"
Visar resultat 1 - 5 av 9 avhandlingar innehållade orden etik musik.
1. Meningen med att gå i musikterapi : En fenomenologisk studie om deltagares upplevelser
Sammanfattning : The aim of the thesis is to illuminate music therapy in Sweden by exploring participant’s experiences of Functionally Oriented Music Therapy (FMT), music therapy grounded on psychodynamic theories and Guided Imagery and Music (GIM). How can adult participants’ experiences of music therapy used as individual treatment, be described from phenomenological perspectives? Theoretical framework is the life-world perspective according to Merleau-Ponty (2005), an ethical perspective according to Ricœur (1992) and a perspective of time consciousness according to Husserl (1991). LÄS MER
2. Becoming Cyborg Composer : The Ecology of Digital Music Composition Didaktik
Sammanfattning : The aim of this licentiate thesis is to explore the sociomaterial relationality of music composition education with digital hardware/software and its outcomes. Two studies were conducted interleaved as original articles in the thesis. LÄS MER
3. Med tre röster och tusende bilder. Om den samiska trumman
Sammanfattning : The ceremonial drum, with its drumhead filled with pictures and tightened over an oval or oviformed wooden frame or bowl, was the most important tool of the noaidi, the Sami shaman. By outsiders however, were they missionaries during the 17th century or researchers during 20th, the Sami drum has often been demonised as ‘devilish’ or belitted as ‘primitive’, and labelled ‘troll-drum’. LÄS MER
4. Suriashi as Experimental Pilgrimage in Urban and Other Spaces
Sammanfattning : This practice-led PhD-thesis draws on an existing Japanese movement practice called suriashi, which translates as sliding foot. Suriashi is a specific gender codified walking technique in classical Japanese dance and theatre, and an important method for acting on stage. LÄS MER
5. Teatermusikaliska ljudhändelser. Ett bidrag till studiet av musik och angränsande ljudobjekt i talteater och opera
Sammanfattning : This dissertation focuses primarily on the following aspects concerning music in theatre: 1) its experienced peculiarity – ontologically grounded, 2) its sounding scope, and 3) its various kinds of functions. I argue that the difference between spoken theatre and opera is a question of degree rather than essence, and consider such an assertion being especially valid for the music of these genres. LÄS MER
