Sökning: "emotion concepts"
Visar resultat 16 - 20 av 24 avhandlingar innehållade orden emotion concepts.
16. Rationality and Cultural Understanding
Sammanfattning : In this dissertation I criticize a common conception of rationality prevalent in analytic philosophy. Rationality is here often seen as a purely cognitive, inner phenomenon which is static and universal, detached from any moral or cultural aspects of human life. LÄS MER
17. Altering the Point of You : Perspectives on Intersubjectivity and Metacognition
Sammanfattning : The aim of the thesis was to examine different aspects of the role of intersubjectivity in metacognitive development and in social understanding. More specifically, it investigates how different theoretical frameworks, such as mentalization theory, the theory of primary intersubjectivity, and interaction theory describe the developmental role of intersubjectivity. LÄS MER
18. Alfabetets användning : Konkret poesi och poetisk artefaktion i svenskt 1960-tal
Sammanfattning : The subject of this dissertation is the so-called concrete poetry that was written in Sweden during the 1960s and, to a small extent, in the 1950s, by Öyvind Fahlström, Jarl Hammarberg, Åke Hodell, Bengt Emil Johnson, and others. The study is focused on a discussion of the forms and the ways of writing that were explored, but it also gives an account of the aesthetic-historical context – of the expanded field of the arts in the 1960s, of the early avant-garde, of related forms of writing in earlier literature, such as pattern poetry. LÄS MER
19. Hot om vräkning : Tre aktörers perspektiv
Sammanfattning : From the filing of an application to evict to the final execution of an eviction order is a long and complicated process. This raises questions about how the actors involved experience and act during this process. LÄS MER
20. Myt, makt och möte : Om ett genuskulturellt rotsystem betraktat genom en skådespelarutbildning
Sammanfattning : This dissertation concerns a certain experienced (sub)reality, a reality which emerged from something “in between”, from a confluence of factors - the project Gender on Stage, a particular actor education programme and myself in the role of observer. The project Gender on Stage started as an interdisciplinary study between the National Academy of Mime and Acting in Stockholm and the Department of Theatre Studies and the Department of Nordic Languages at Stockholm University. LÄS MER