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Visar resultat 1 - 5 av 7 avhandlingar som matchar ovanstående sökkriterier.
1. Staging Violence, Singing Hope : Trauma, Memory, and Affect in Three Musical and Dance Performances by North Korean Migrants in South Korea
Sammanfattning : This thesis presents new research on artistic performances of North Korean migrants living in South Korea through critical analyses of three case studies. Two of the case studies are focused on a North Korean migrant women's musical troupe, and one on a choir of North Korean and South Korean youths. LÄS MER
2. Ups and Downs, Violin Bowing as Gesture
Sammanfattning : This thesis is an inquiry into musical interpretation and performance. It builds on my practice as a professional baroque violinist. Qualitative analysis of the video documentation of my individual practise, rehearsals, and concert performances is the core method of the project. LÄS MER
3. Orchestrating timbre – Unfolding processes of timbre and memory in improvisational piano performance
Sammanfattning : This doctoral thesis presents how the orchestration of timbre is investigated from a performer’s perspective as means to “unfold” improvisational processes. It is grounded in my practice as a pianist in the realm of improvised music, in which I often use preparations and objects as extensions of the instrument. LÄS MER
4. Feminist musical engagements : The struggle against gender inequalities in music-making practices
Sammanfattning : The debate around gender equality and feminist concerns in relation to musical life are increasingly part of Swedish public discourse. Attention directed to structural gender inequalities in various music scenes by feminist associations, governmental intervention in these issues, and the recent #metoo-protests against sexual harassment and violence in the music industries, are all part of this. LÄS MER
5. Singing the body electric : Understanding the role of embodiment in performing and composing interactive music
Sammanfattning : Almost since the birth of electronic music, composers have been fascinated by the prospect of integrating the human voice with its expressiveness and complexity into electronic musical works. This thesis addresses how performing with responsive technologies in mixed works, i.e. LÄS MER