Sökning: "embodied musical performance"

Hittade 4 avhandlingar innehållade orden embodied musical performance.

  1. 1. Orchestrating timbre – Unfolding processes of timbre and memory in improvisational piano performance

    Detta är en avhandling från Göteborgs universitet

    Författare :Magdalena Mayas; Göteborgs universitet.; Gothenburg University.; [2019]
    Nyckelord :HUMANIORA; HUMANITIES; extended timbre; improvisation; composition; inside piano; prepared piano; listening; timbral memory; spatialization; gesture; choreography; musical perception; embodied musical performance; artistic research;

    Sammanfattning : This doctoral thesis presents how the orchestration of timbre is investigated from a performer’s perspective as means to “unfold” improvisational processes. It is grounded in my practice as a pianist in the realm of improvised music, in which I often use preparations and objects as extensions of the instrument. LÄS MER

  2. 2. “Lasciatemi morire” o farò “La Finta Pazza”: Embodying Vocal Nothingness on Stage in Italian and French 17th Century Operatic Laments and Mad Scenes

    Detta är en avhandling från Göteborg : University of Gothenburg

    Författare :Elisabeth Belgrano; Göteborgs universitet.; Gothenburg University.; [2011]
    Nyckelord :HUMANIORA; HUMANITIES; voice; singing; nothingness; je-ne-sais-quoi; 17th century opera; pure voice; lamentation; madness; passions; emotions; nightingale; transformation; ornamentation; observation; improvisation; interpretation; vocal expression; embodiment; creative process; performance; repetition; movement; inner images; artistic research;

    Sammanfattning : This music research drama thesis explores and presents a singer’s artistic research process from the first meeting with a musical score until the first steps of the performance on stage. The aim has been to define and formulate an understanding in sound as well as in words around the concept of pure voice in relation to the performance of 17th century vocal music from a 21st century singer’s practice-based perspective with reference to theories on nothingness, the role of the 17th century female singer, ornamentation (over-vocalization) and the singing of the nightingale. LÄS MER

  3. 3. Sångaren på den tomma spelplatsen - en poetik. Att gestalta Gilgamesheposet och sånger av John Dowland och Evert Taube

    Detta är en avhandling från Göteborg : University of Gothenburg

    Författare :Sven Kristersson; Göteborgs universitet.; Gothenburg University.; [2010]
    Nyckelord :SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; HUMANIORA; HUMANITIES; Orpheus; empty space; performance; song; verse; Evert Taube; Gilgamesh; John Dowland;

    Sammanfattning : The aim of this doctoral project is to explore an expanded role of the singer in an artistic field situated between poetry, theatre, music and reflection. The project consists of three parts: Firstly, three performances of songs and poetry: (a) Me, Me and None but Me!, a blank-verse monologue connecting songs of John Dowland, (b) Gilgamesh – The Man Who Refused to Die, a musical version of the Babylonian Gilgamesh Epic, and (c) The Poet and Time, interpretations of works by the Swedish chansonier Evert Taube. LÄS MER

  4. 4. Singing the body electric Understanding the role of embodiment in performing and composing interactive music

    Detta är en avhandling från Lund : Lund University Open Access

    Författare :Anna Einarsson; Kungl. Musikhögskolan.; [2017]
    Nyckelord :HUMANIORA; HUMANITIES; music composition; embodiment; singing; interactive music; live electronics; affordances; performance technologies; computer music;

    Sammanfattning : Almost since the birth of electronic music, composers have been fascinated by the prospect of integrating the human voice with its expressiveness and complexity into electronic musical works. This thesis addresses how performing with responsive technologies in mixed works, i.e. LÄS MER