Sökning: "electronic music"

Visar resultat 1 - 5 av 28 avhandlingar innehållade orden electronic music.

  1. 1. Sound perception and design in multimodal environments

    Författare :PerMagnus Lindborg; Anders K. Friberg; Daniel Västfjäll; KTH; []
    Nyckelord :ENGINEERING AND TECHNOLOGY; TEKNIK OCH TEKNOLOGIER; ENGINEERING AND TECHNOLOGY; TEKNIK OCH TEKNOLOGIER; HUMANITIES; HUMANIORA; NATURAL SCIENCES; NATURVETENSKAP; SOCIAL SCIENCES; SAMHÄLLSVETENSKAP; NATURVETENSKAP; TEKNIK OCH TEKNOLOGIER; TEKNIK OCH TEKNOLOGIER; SAMHÄLLSVETENSKAP; HUMANIORA; NATURAL SCIENCES; ENGINEERING AND TECHNOLOGY; ENGINEERING AND TECHNOLOGY; SOCIAL SCIENCES; HUMANITIES; sound; perception; design; multimodal; environment; soundscape; music; listening; crossmodal; psychoacoustics; psychophysiology; personality trait; emotion; appraisal; aesthetics; colour; correlation; regression; classification; sonification; Speech and Music Communication; Tal- och musikkommunikation;

    Sammanfattning : This dissertation is about sound in context. Since sensory processing is inherently multimodal, research in sound is necessarily multidisciplinary. The present work has been guided by principles of systematicity, ecological validity, complementarity of  methods, and integration of science and art. LÄS MER

  2. 2. Singing the body electric : Understanding the role of embodiment in performing and composing interactive music

    Författare :Anna Einarsson; Tom Ziemke; Per Mårtenson; Sally-Jane Norman; Kungl. Musikhögskolan; []
    Nyckelord :HUMANIORA; HUMANITIES; music composition; embodiment; singing; interactive music; live electronics; affordances; performance technologies; computer music; music composition; performance technologies; ;

    Sammanfattning : Almost since the birth of electronic music, composers have been fascinated by the prospect of integrating the human voice with its expressiveness and complexity into electronic musical works. This thesis addresses how performing with responsive technologies in mixed works, i.e. LÄS MER

  3. 3. Monsters I Love : On Multivocal Arts

    Författare :Alex Nowitz; Rolf Hughes; Sten Sandell; Åse Tone; Stockholms konstnärliga högskola; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANIORA; HUMANITIES; Music; acousmatic and disembodied voice; æsthetics of uncertainty and in-between; composer-performer; contemporary vocal performance art; custom musical instrument DIY ; digital musical instrument DMI ; electronic and electroacoustic music; expanding the field of vocal performance art; extended vocal techniques; extending the voice; gesture-controlled live electronics; improvisation and real-time composition; inclusive vocal performance practises; interactive sound and music; multidirectional listening; multivocality; multivocal voice; new vocality; sampling practises for vocal and musical improvisation; schizophonic practices; sensor-based and computer-based technology; singer-composer; sound art; sound technology; STEIM; strophonion; vocal materiality and liminality; vocal personas; vocal sound dance; wireless technology; Performativa och mediala praktiker; med inriktning mot film och media koreografi opera scen; Performative and mediated practices; with specializations in choreography film and media opera performing arts;

    Sammanfattning : Proposing a ‘multivocal practice’ in the vocal arts, this exposition (documented artistic research project) embodies an inclusive approach to four core categories for the contemporary performance voice: the singing, speaking, extended and disembodied voice. The culmination of a four-year PhD project in the Performative and mediated practices, with specializations in choreography/film and media/opera /performing arts, it documents artistic research sub-projects through the presentation of multimedia material, interweaving performance recordings with reflection and informative threads. LÄS MER

  4. 4. Registros Vocais no Canto : Aspectos perceptivos, acsticos, aerodinmicos e fisiolgicos da voz modal e de falsete

    Författare :Gláucia Laís Salomão; Sandra Madureira; Johan Sundberg; Leonardo Fuks; Zuleica Camargo; Departamento de Linguística Aplicada e Estudos da Linguagem (LAEL) Pontifícia Universidade Católica de São Paulo (PUC-SP); []
    Nyckelord :ENGINEERING AND TECHNOLOGY; TEKNIK OCH TEKNOLOGIER; NATURAL SCIENCES; NATURVETENSKAP; HUMANITIES; HUMANIORA; NATURVETENSKAP; TEKNIK OCH TEKNOLOGIER; HUMANIORA; NATURAL SCIENCES; ENGINEERING AND TECHNOLOGY; HUMANITIES; Tal- och musikkommunikation; Speech and Music Communication;

    Sammanfattning : .... LÄS MER

  5. 5. Vocal Figurations : Technique, Technology, and Mediation in the Gendering of Voice in Twenty-First-Century Pop Music

    Författare :Veronika Muchitsch; Lars Berglund; Elizabeth Gould; Nina Eidsheim; Uppsala universitet; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANIORA; HUMANITIES; Pop Music; Pop Music Analysis; Music Criticism; Sound Studies; Auditory Cultures; Voice; Vocal Technique; Studio Technology; Electronic Media; Pop Music and Gender; Pop Music and Intersectionality; Feminist Figurations; Postfeminism; Popular Feminism; Lana Del Rey; Anohni; Antony and the Johnsons; Beyoncé; Musikvetenskap; Musicology;

    Sammanfattning : This thesis examines the gendering of voice in twenty-first-century pop music and music criticism through the concept of vocal figurations. Embodying a thoroughly relational understanding of voice, it articulates vocal technique, studio technology, and electronic mediation as three primary dimensions through which voices come to signal gender as it intersects with other vectors of social identity. LÄS MER