Sökning: "drama dialogue"

Visar resultat 6 - 10 av 15 avhandlingar innehållade orden drama dialogue.

1. 6. På insidan av tystnaden : en undersökning

   Författare :Sten Sandell; Göteborgs universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; Direction; the way of playing; character of a room; dialogue; process; sonic langu- age; sensitivity; compositions; textual material; integration of text and music;

   Sammanfattning : Abstract Title: På insidan av tystnaden – en undersökning. English title: Music On the Inside of Silence - a Study. Language: Swedish, with an English Summary. This thesis also includes a CD-box with music. LÄS MER

3. 7. Tvivel - replikernas poetik

   Författare :Christina Ouzounidis; Lunds universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; prescripts; Antigone; voices; doubting; poetics; situation; polyphony; myth; text; drama; theatrical line; Gertrude Stein; Simone de Beauvoir; Walter Benjamin; Nathalie Sarraute;

   Sammanfattning : A departing assumption in my work is the idea about a particular kind of conflict inherent in the theatrical line, produced by its situatedness in the specific relational doubt created in the speaking, performing voice and body, a space articulated already in the written line, as writing intended to be spoken. To the inherent self-contradiction in such utterances are added the layers of conscious and unconscious intent, discrepancies and dissonances emerging in relation to those who witness the act of speaking. LÄS MER

4. 8. Nordisk teater i Montevideo : Kontextrelaterad reception av Henrik Ibsen och August Strindberg

   Författare :Louise von Bergen; Göran Rossholm; Macotinsky Oscar; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; translation studies; reception; hermeneutics; August Strindberg; Henrik Ibsen; Scandinavian drama in Montevideo; Scandinavian drama in the Río de la Plata; Swedish drama in Uruguay; Norwegian drama in Uruguay; Literature; Litteraturvetenskap;

   Sammanfattning : The primary purpose of this dissertation is to study the dialogue between the Scandinavian drama and the Uruguayan theatre; how drama from Scandinavia has been received in the Río de la Plata during the last hundred years; how it has been adapted and activated to be meaningful to the audience; how it has been integrated within the Uruguayan theatre and society and how the play changes with that new dialogue. As this is the first study of Scandinavian plays in Uruguay a secondary purpose is to document what has been put on stage; fifty-three productions, ninety percent of which were plays by Henrik Ibsen and August Strindberg. LÄS MER

5. 9. Shakespearean parallels and affinities with the Theatre of the absurd in Tom Stoppard's Rosencrantz and Guildenstern are dead

   Författare :Anja Easterling; Umeå universitet; []
   Nyckelord :Stoppard; Tom; Rosencrantz and Guildenstern Are Dead; Hamlet; Beckett; Samuel; Waiting for Godot; Pinter; Harold; The Caretaker; The Theatre of the Absurd; absurd drama; cliché;

   Sammanfattning : The study elucidates the relation of Tom Stoppard's play Rosencrantz and Guildenstern Are Dead to Hamlet on the one hand and to the Theatre of the Absurd on the other. The two plays chosen to represent the Theatre of the Absurd are Samuel Beckett1 s Waiting for Godot and Harold Pinter* s The Caretaker. LÄS MER

7. 10. Attentatet på Dramaten. En studie av Alf Sjöbergs uppsättning av Marika Stiernstedts drama. The Outrage at the Royal Dramatic Theatre in Stockholm. A studie of Alf Sjöberg's stageing of Marika Stiernstedt's drama

   Författare :Eva Martinsson; Litteraturvetenskap; []
   Nyckelord :HUMANIORA; HUMANITIES; ethical questions.; antfascism; censorship; Swedish neutrality; The Second World War; The Royal Dramatic Theatre; Theatre; directing; Dramatic art; Teatervetenskap;

   Sammanfattning : The thesis deals with the Swedish author Marika Stiernstedt's drama The Outrage and Alf Sjöberg's production of it at the Royal Dramatic Theatre in 1944. The production process is followed from the birth of the drama to the production's encounter with the audience. LÄS MER