Sökning: "doktorsavhandlingar musik"

Visar resultat 21 - 25 av 225 avhandlingar innehållade orden doktorsavhandlingar musik.

  1. 21. Registros Vocais no Canto : Aspectos perceptivos, acsticos, aerodinmicos e fisiolgicos da voz modal e de falsete

    Författare :Gláucia Laís Salomão; Sandra Madureira; Johan Sundberg; Leonardo Fuks; Zuleica Camargo; Departamento de Linguística Aplicada e Estudos da Linguagem (LAEL) Pontifícia Universidade Católica de São Paulo (PUC-SP); []
    Nyckelord :ENGINEERING AND TECHNOLOGY; TEKNIK OCH TEKNOLOGIER; NATURAL SCIENCES; NATURVETENSKAP; HUMANITIES; HUMANIORA; NATURVETENSKAP; TEKNIK OCH TEKNOLOGIER; HUMANIORA; NATURAL SCIENCES; ENGINEERING AND TECHNOLOGY; HUMANITIES; Tal- och musikkommunikation; Speech and Music Communication;

    Sammanfattning : .... LÄS MER

  2. 22. Organ improvisation - activity, action and rhetorical practice

    Författare :Karin Johansson; Musikhögskolan i Malmö; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; rhetorical practice.; cultural-historical activity theory; higher music education; Western art music; discursive practices; Organ improvisation;

    Sammanfattning : ABSTRACT Title: Organ improvisation - activity, action and rhetorical practice. Author: Karin Johansson Language: English. Keywords: Organ improvisation, cultural-historical activity theory, higher music education, Western art music, discursive practices, rhetorical practice. LÄS MER

  3. 23. Från guidad visning till shopping och förströdd tillägnelse: moderniserade villkor för ungdomars musikaliska lärande

    Författare :Claes Ericsson; Lars Lilliestam; Musikhögskolan i Malmö; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Musikvetenskap; Musicology; group conversations; learning in school and in leisure time; modernity; adolescents; teaching; Music; learning; Pedagogy and didactics; Pedagogik; didaktik; Musicology; musikvetenskap; pedagogik;

    Sammanfattning : Abstract In the Swedish compulsory school system there is a trend towards increased student influence. School ideologists have for at least ten years strongly emphasised this issue. This tendency is in line with a more general direction in Western societies, which in many aspects has moved toward individualisation. LÄS MER

  4. 24. Sound perception and design in multimodal environments

    Författare :PerMagnus Lindborg; Anders K. Friberg; Daniel Västfjäll; KTH; []
    Nyckelord :ENGINEERING AND TECHNOLOGY; TEKNIK OCH TEKNOLOGIER; ENGINEERING AND TECHNOLOGY; TEKNIK OCH TEKNOLOGIER; HUMANITIES; HUMANIORA; NATURAL SCIENCES; NATURVETENSKAP; SOCIAL SCIENCES; SAMHÄLLSVETENSKAP; NATURVETENSKAP; TEKNIK OCH TEKNOLOGIER; TEKNIK OCH TEKNOLOGIER; SAMHÄLLSVETENSKAP; HUMANIORA; NATURAL SCIENCES; ENGINEERING AND TECHNOLOGY; ENGINEERING AND TECHNOLOGY; SOCIAL SCIENCES; HUMANITIES; sound; perception; design; multimodal; environment; soundscape; music; listening; crossmodal; psychoacoustics; psychophysiology; personality trait; emotion; appraisal; aesthetics; colour; correlation; regression; classification; sonification; Speech and Music Communication; Tal- och musikkommunikation;

    Sammanfattning : This dissertation is about sound in context. Since sensory processing is inherently multimodal, research in sound is necessarily multidisciplinary. The present work has been guided by principles of systematicity, ecological validity, complementarity of  methods, and integration of science and art. LÄS MER

  5. 25. The Printed Score as a Mediator of Musical Meaning Approaches to Music Notation in Western tonal music

    Författare :Cecilia Hultberg; Musikhögskolan i Malmö; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; notation as a cultural tool; music notation; music teachers’ education; instrumental training; apprentice education; teaching; Western tonal music; learning; musical literacy; agreed; Social sciences; Samhällsvetenskaper;

    Sammanfattning : Abstract Centering on notation is a characteristic of Western tonal music. The printed scores are expected to provide the necessary information on musical expression. In this study, strategically selected contemporary musicians’ ways of under-standing the printed scores are investigated. LÄS MER