Sökning: "c -uppsatser konstvetenskap"

Visar resultat 1 - 5 av 19 avhandlingar innehållade orden c -uppsatser konstvetenskap.

  1. 1. Kunst og nasjon : Brytninger i kunstsynet i Norge 1750–1905

    Författare :Randi C. Solheim; Anna Källén; Peter Gillgren; Jan von Bonsdorff; Stockholms universitet; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANIORA; HUMANITIES; Art history; art theory; historiography; close reading; longue durée; nation-building; nationalism; Norway; 18th century; 19th century; konstvetenskap; Art History;

    Sammanfattning : The thesis examines the art theoretical discourse, in Norway, from the mid eighteenth century up to 1905. The objective of the study has been to identify and analyse the most important art theoretical positions in treatises and other programmatic texts and works of art. LÄS MER

  2. 2. Gotlands romanska stenskulptur : Visuella budskap i sten

    Författare :Evert Lindkvist; Margaretha Rossholm Lagerlöf; Margrethe C. Stang; Stockholms universitet; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANIORA; HUMANITIES; Medieval art; Romanesque; Stone sculpture. Gotland; Medeltida konst; Romansk; Stenskulptur; Gotland; konstvetenskap; Art History;

    Sammanfattning : This thesis aims at a new understanding of the Romanesque stone sculpture of Gotland. The stone reliefs and their treatment are seen as an eye-opener to our ability to observe and perceive meaning in images. LÄS MER

  3. 3. Verklighetens poesi : Svenska genrebilder 1825-1880

    Författare :Eva-Lena Bengtsson; Uppsala universitet; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANIORA; HUMANITIES; Art history; Genre painting; Massproduced images; I 9th c. Iconography; Word Image; Idealist realism; Social history of art; 19th c. Women artists; Konstakademien Royal Academy of Fine Arts ; Düsseldorf; 19th c. Art criticism; Konstvetenskap; Art; Konstvetenskap; History Of Art; konstvetenskap;

    Sammanfattning : The aim of this dissertation is to challenge mainstream art-history by studying 19th century genre painting as a social phenomenon. In a contemporary context, these subjects areseen as powerful agents of a new situation in art, in an academic context as well as transformed into massmedia, where the boundaries between visual art and literature are consciously blurred. LÄS MER

  4. 4. Den höviska kulturen i Norden : En konsthistorisk undersökning

    Författare :Herman Bengtsson; Uppsala universitet; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANIORA; HUMANITIES; Art history; Court culture; secular art; courtliness; chivalry; Scandinavia; High and Late Middle Ages; Konstvetenskap; Art; Konstvetenskap; History Of Art; konstvetenskap;

    Sammanfattning : This thesis traces the influence of the continental court society and the concepts of courtliness, chivalry and knighthood on Denmark, Norway and Sweden in the High and Late Middle Ages (c. 1150-1520). Although many of the art objects and texts here discussed are well-known, a comparative study of this kind has hitherto never been attempted. LÄS MER

  5. 5. Coloured Universe and the Russian Avant-Garde : Matiushin on Colour Vision in Stalin's Russia, 1932

    Författare :Margareta Tillberg; Jeff Werner; Stockholms universitet; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANIORA; HUMANITIES; Colour vision; Russian avant-garde; Mikhail Matiushin; Elena Guro; Ender siblings; art; science; laboratory observations; colour practices; colour theory; synaesthesia; dialectical materialism; Stalin; culture; universal language; architecture; design; Matjušin; Michail Vasilʹevič; 1861-1934; Experimentell konsthistoria Sovjetunionen 1930-talet; Färglära historia Sovjetunionen 1930-talet; Art; Konstvetenskap; konstvetenskap; Art History; practices; physiology; psychology; formalism;

    Sammanfattning : Colour vision was of fundamental importance in modernist art. One reason its significance has been studied so little with regard to Russian art is that Soviet archives were inaccessible until the early 1990s. This work is the first close study on a so-called laboratory in an art- and science institute in the Soviet Union in the 1920s. LÄS MER