Sökning: "broadcast television"

Visar resultat 6 - 10 av 14 avhandlingar innehållade orden broadcast television.

1. 6. The Private Life of a Nation in Crisis : A Study on the Politics in/of Greek Television Fiction

   Författare :Georgia Aitaki; Göteborgs universitet; []
   Nyckelord :SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; politics; television fiction; private television; critical times; Greece; Media and Communication Studies; Medie- och kommunikationsvetenskap; politics; television fiction; private television; critical times; Greece;

   Sammanfattning : The private life of a nation in crisis offers in-depth studies of the fictional reconstruction and negotiation of moments of heightened societal tension that take place throughout the life of a nation. Its constituent papers focus on the role of television fiction in representing and shaping either critical moments, events, or periods that disrupt the normal pace of life, or unresolved societal tensions that become part of everyday life. LÄS MER

3. 7. TV FOR CHILDREN : How the Swedish Public Service Television Imagines a Child Audience

   Författare :Åsa Pettersson; Anna Sparrman; Bengt Sandin; Cynthia Carter; Linköpings universitet; []
   Nyckelord :Children; television; public service; child audience; TV programming; Barn; TV; public service; barnpublik; TV program;

   Sammanfattning : The study explores how the Swedish public service TV institution imagines a child audience in a societal context where the broadcasting landscape hastransformed greatly over the past thirty years and where TV is seen to  constitute both risks and benefits for children. The concept of TV for children is established to broaden the scope for studying what has been broadcast for a child audience on public service TV. LÄS MER

4. 8. Pretend that it is Real! Convergence Culture in Practice

   Författare :Marie Denward; Jay Bolter; Malmö högskola; []
   Nyckelord :media convergence; alternate reality games; broadcast television; pervasive games; culture of production; ethnography; game design; game development; transmedia storytelling; pervasive live action role-playing; fiction; reality; participatory culture; audience; interactivity; public service broadcasting; media studies;

   Sammanfattning : Mediekonvergens definieras och förklaras oftast som en teknisk och industriell företeelse, som den process där ny teknik anpassas till den befintliga medieindustrin och dess produktionskulturer. I dagens hybrida medielandskap kan mediekonvergens också beskrivas som den sociala process och de aktiviteter som medieanvändare deltar i när de rör sig mellan olika medier i jakt på underhållning och erfarenheter. LÄS MER

5. 9. Marknaden som mönster och monster : Ekonomiska experter och nyheter om ekonomi i Rapport 1978-1998

   Författare :Dino Viscovi; Växjö universitet; []
   Nyckelord :television; news media; economy; discourse analysis; economists; experts; globalization; capitalism; disembedded economy;

   Sammanfattning : The two starting points of the thesis are (i) a structual change, i.e. the disembedding or globaliza¬tion of the Swedish economy, and (ii) a discursive change in economics, more specifically the orientation from Keynesianism to neo-classical economics. LÄS MER

7. 10. Extracting versatility : Films commissioned by the mining industry in postwar Sweden

   Författare :Ole Johnny Fossås; Marina Dahlquist; Bo Florin; Zoë Druick; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; film history; swedish film; sponsored film; industrial film; useful cinema; mining; Sápmi; non-theatrical film; public service television; film distribution; the Swedish Film Institute; Radio Sweden; documentary film; film policy; filmhistoria; beställningsfilm; svensk film; industrifilm; informationsfilm; Sápmi; gruvindustrin; Svenska Filminstitutet; Sveriges Radio; Cinema Studies; filmvetenskap;

   Sammanfattning : This study investigates how films commissioned by Swedish mining companies were employed for institutional use between 1945 and 1965. A central aspect of what gave these films their versatility stems from circumstances that allowed commissioned texts to pass as non-partisan audiovisual aids, as educational and informative instruments and as occasional examples of film art through intermediaries. LÄS MER