Sökning: "baroque music"

Hittade 5 avhandlingar innehållade orden baroque music.

  1. 1. Ups and Downs, Violin Bowing as Gesture

    Författare :Peter Spissky; Lärare (Musikhögskolan); []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; musical gestures; musical interpretation; baroque music; embodied music cognition; historical performance practice; Historically informed performance; baroque dance;

    Sammanfattning : This thesis is an inquiry into musical interpretation and performance. It builds on my practice as a professional baroque violinist. Qualitative analysis of the video documentation of my individual practise, rehearsals, and concert performances is the core method of the project. LÄS MER

  2. 2. Lusus Poeticus vel Musicus : Johann Sebastian Bach, the Baroque Paragram and Friedrich Smend's Number Alphabet Theory

    Författare :Ruth Tatlow; Arnold Whittall; London university; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANIORA; HUMANITIES; Bach; Number alphabet; Germanistics; Baroque literature; Music; Musikvetenskap; Musikvetenskap; Musicology; Idé- och lärdomshistoria; History of Sciences and Ideas;

    Sammanfattning : The starting point of this investigation was Friedrich Smend's number alphabet theory. Contrary to current trends in the analysis of Bach's music, Friedrich Smend used an eighteenth-century technique to understand eighteenth century music. LÄS MER

  3. 3. Matthias Weckmann: the interpretation of his organ music

    Författare :Hans Davidsson; Göteborgs universitet; Göteborgs universitet; Gothenburg University; []
    Nyckelord :HUMANIORA; HUMANITIES; Matthias Weckmann ca. 1616–1674 ; biography; composer; organist; Germany; Dresden; Hamburg; Denmark; organ works; music analysis; interpretation; historically–informed performance practice; manuscripts;

    Sammanfattning : The dissertation presents an interpretation of the complete organ works of Matthias Weckmann primarily for the performer and in the spirit of historically-informed performance practice. The process of creating this interpretation was documented in writings, recordings, concerts, and a new edition of the free organ works. LÄS MER

  4. 4. Die Trompete als Soloinstrument in der Kunstmusik Europas seit 1900 mit besonderer Berücksichtigung der Entwicklung ab 1980 am Beispiel der Solisten Håkan Hardenberger, Ole Edvard Antonsen und Reinhold Friedrich

    Författare :Verena Jakobsen Barth; Göteborgs universitet; Göteborgs universitet; Gothenburg University; []
    Nyckelord :HUMANIORA; HUMANITIES; Trumpet; solo instrument; solo repertory; solo concerto; Maurice André; Ole Edvard Antonsen; Reinhold Friedrich; Heinz-Karl Gruber; Håkan Hardenberger; Helge Iberg; Willi Liebe; Adolf Scherbaum; Eduard Seifert; Caspar Johannes Walter; Aerial; Dromo Dance; Vier Stücke gegen den Stillstand;

    Sammanfattning : This dissertation focuses on the historical causes for the development in acceptance of the trumpet as a solo instrument from the beginning of the twentieth century, when as a solo instrument it was played mainly in the entertainment genre, to the present day, where it is respected and used more and more in the field of ‘art music’. The starting point is the instrument’s ambiguous position and the resulting tension: on the one hand it is laden with the out-dated symbolic content of an earlier royal culture, and on the other hand it is associated with nineteenth-century light entertainment. LÄS MER

  5. 5. On Dynamic Behaviour of Wind Systems for Pipe Organs

    Författare :Tobias Carlsson; Chalmers University of Technology; []
    Nyckelord :wind system; pipe organ; wind supply; unsteady channel flow;

    Sammanfattning : The wind system sets the operational conditions for the organ pipes. The pipe foot pressure is by nature very unsteady and is a result of the wind system response to the activities of the organ player. Changing flows create propagating pressure waves. LÄS MER