Sökning: "artists"

Visar resultat 6 - 10 av 184 avhandlingar innehållade ordet artists.

1. 6. Grez-sur-Loing revisited. The international artists' colony in a different light

   Författare :Alexandra Herlitz; Göteborgs universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; Grez-sur-Loing; French rural artists’ colony; international artists’ community; the Grez Style; the Grez School; nineteenth century painting; juste milieu painting; historiography; factoids; cultural geography; nationalism; lieu de mémoire; Swedish art history of the nineteenth century; Opponents’ Society ‘Opponentförbundet’ ; actor-network;

   Sammanfattning : This thesis examines the rural artists’ colony in Grez-sur-Loing and its art from the heyday of the community, 1875–1885, when artists from North America, England, Scotland, Ireland, and Scandinavia were gathering in the French village. The international community has hitherto been viewed separately along national or linguistic lines. LÄS MER

3. 7. Minnets spelrum : Om musik och pensionärskap

   Författare :Sverker Hyltén-Cavallius; Mats Hellspong; Owe Ronström; Alf Arvidsson; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; Pensionerhood; sound; music-making; memory; narrative; mode; practice; place; utopics; generation; age; nostalgia; aesthetics; interface; timespace; chronocity; structure of feeling; organizations; artists; institutions; Ethnology; Etnologi;

   Sammanfattning : The aim of this study is to explore how pensionerhood is formed through music-making. What are the building blocks of pensionerhood in musical contexts, and which values are included and excluded? In the study pensionerhood is defined in terms of cultural position, the term forming is used to define conditioning, limiting and enabling forces and the term music-making denotes a wide set of activities from arranging venues to performance. LÄS MER

4. 8. Vägen till parnassen: En sociologisk studie av kvinnligt konstnärskap i Sverige 1864-1939 : The Path to Parnassus: A sociological study offemaie artists in Sweden, 1864-1939

   Författare :Iréne Winell-Garvén; Göteborgs universitet; []
   Nyckelord :SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; Bourdieu; female artists; canons; consecration; art history writing; feminist art research.;

   Sammanfattning : This thesis clarifies how female artistry in Sweden is constructed, ptimarily with the help of Pierre Bourdieu' s key concepts (habitus)(capital )+field=practice, and chiefly through three institutions: art collecting, art history writing, and art criticism. The period covered is 1864-1939 with a background trom the early 1800s and a view forward to the year 2000. LÄS MER

5. 9. The Convaluation of Performance Art : A Study of Peer Recognition Among Performance Artists

   Författare :Edvin Sandström; Patrik Aspers; Anna Lund; Uppsala universitet; []
   Nyckelord :Convaluation; Valuation; Evaluation; Performance Art; Art Theory; Ethnography; Sociologi; Sociology;

   Sammanfattning : Processes and forms of valuation, evaluation and valorization are important for bringing contemporary social life in order. In this thesis, I study the values of the small and autonomous avant-garde of the art-world, performance art. LÄS MER

7. 10. Det ambivalenta perspektivet : Eva Bonnier och Hanna Hirsch-Pauli i 1880-talets konstliv

   Författare :Margareta Gynning; Uppsala universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; Art history; Eva Bonnier; Hanna Hirsch-Pauli; 19th-century Art; Feminist studies; women artists; August Malmströms privateacademy; Women s department at the Royal Academy of Art in Stockholm; Nordic artists in Paris; Juste-milieu-painters; Colarossi Academy in Paris; Art reviews 1885-1894 ; Konstvetenskap; Art; Konstvetenskap; History Of Art; konstvetenskap;

   Sammanfattning : This dissertation focuses on two Swedish artists, Eva Bonnier (1857-1909) and Hanna Hirsch-Pauli (1864-1940) and their relationship to the educational system, artistic trends and exhibitions of the 1880's. The aim of the thesis is to re-assess history from a feminist perspective and change the prevalent modernist art history view of the period. LÄS MER