Sökning: "artistic theory formation"

Visar resultat 1 - 5 av 8 avhandlingar innehållade orden artistic theory formation.

  1. 1. First-Principles Studies of Materials Properties : Pressure-Induced Phase Transitions & Functional Materials

    Författare :Thanayut Kaewmaraya; Rajeev Ahuja; Scheicher Ralph; Naurang Saini; Uppsala universitet; []
    Nyckelord :NATURVETENSKAP; NATURAL SCIENCES; Density functional theory; Pressure-induced phase transitions; Ab-initio molecular dynamic; hybrid functional; Ab-initio random structure searching; Phase change material; Physics with spec. in Atomic; Molecular and Condensed Matter Physics; Fysik med inriktning mot atom- molekyl- och kondenserande materiens fysik;

    Sammanfattning : This thesis presents the first-principles studies of materials properties within the framework of the density functional theory (DFT). The thesis constitutes three main parts, i. e., pressure-induced phase transitions in solids, data-storage and clean-energy materials. LÄS MER

  3. 2. Circoanalysis : Circus, Therapy and Psychoanalysis

    Författare :John-Paul Zaccarini; Lena Hammergren; Ana Sanchez-Colberg; Helen Stoddart; Stockholms konstnärliga högskola; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Circus; Psychoanalysis; Pedagogy; Therapy; Freud; Klein; Winnicott; Lacan; Performativa och mediala praktiker; med inriktning mot film och media koreografi opera scen; Performative and mediated practices; with specializations in choreography film and media opera performing arts; teatervetenskap;

    Sammanfattning : There is an object/artefact of circus and a subject/process that makes it. This research considers the subject of the circus-making in order to bring it to the foreground of future discussions about pedagogy, practice and production. LÄS MER

  4. 3. Rytmens estetik

    Författare :Lena Hopsch; Chalmers tekniska högskola; []
    Nyckelord :TEKNIK OCH TEKNOLOGIER; ENGINEERING AND TECHNOLOGY; artistic theory formation; pausing; repetition; visual rhythm; creation; rhythm analysis; stress; laboratory work; contrast;

    Sammanfattning : AbstractThe Aesthetics of RhythmLena HopschChalmers University, ArchitectureRhythm as a significant factor in music and poetry is relatively well scientifically documented. In sculpture and architecture, however, rhythm is a fairly unexplored area, perhaps due to the complex character of the subject and, moreover, in visual art knowledge of the significance of rhythm is mainly acquired by studying individual artists and architects. LÄS MER

  5. 4. Drawing Science : Visual Content Formation in Young Students’ Multimodal Science Compositions

    Författare :Elin Westlund; Charlotte Engblom; Caroline Liberg; Anna-Malin Karlsson; Uppsala universitet; []
    Nyckelord :SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; content representation; early school years; science education; multimodal text-making; visual literacy; Curriculum Studies; Didaktik;

    Sammanfattning : This thesis explores visual formation of science content in young students’ multimodal text-image compositions. In doing so, it also contributes a metalanguage for visual meaning-making about science content in the early school years. LÄS MER

  7. 5. Nihilism, Art, and Technology

    Författare :Sven-Olov Wallenstein; Staffan Carlshamre; Arnfinn Bö-Rygg; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; nihilism; art; technology; avant-garde; architecture; critical theory; Martin Heidegger; Walter Benjamin; Ernst Jünger; Mies van der Rohe; Philosophy subjects; Filosofiämnen; Theoretical Philosophy; teoretisk filosofi;

    Sammanfattning : The thesis investigates the role of technology in the formation of the artistic avant-garde, along with various forms of philosophical reflection on this development, with a particular emphasis on Heidegger. Setting out from an analysis of three paradigmatic cases in the interplay between art and technology—the invention of photography, the shift from Futurism to Constructivism, and the interpretation of technology in debates on architectural theory in the 1920s and ’30s—it proceeds to a discussion of three philosophical responses to this development, those found in Walter Benjamin, Martin Heidegger, and Ernst Jünger, all of which share a certain avant-garde sensibility and a notion of art as a response to nihilism. LÄS MER