Sökning: "artist material"

Visar resultat 1 - 5 av 41 avhandlingar innehållade orden artist material.

  1. 1. The Artisanal Perspective in Action : An Archaeology in Practice

    Författare :Katarina Botwid; Arkeologi; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Archaeology; expertise; artisanal perspective; skill; artisanal interpretation; practice; craft; craftspersons; techniques; knowledge; situated learning; master–apprentice; artefacts; tools; imprints; fingerprints; colour; crayon; artist material; re-interpretation; evaluation; tacit knowledge; embodied knowledge; silent knowledge; silent studies; contemporary artisanship;

    Sammanfattning : In what way can an artisanal perspective and artisanal knowledge contribute to current archaeology? How can theories about skill and expertise explain and affect research on artisanal issues? These are the questions that are in focus and have been explored in the four collected papers and in the concluding article in this thesis. The author proposes an artisanal perspective from an interdisciplinary viewpoint. LÄS MER

  2. 2. Tillvaratagna effekter. Om Jan Håfströms konstnärskap och konstnärsroll

    Författare :Martin Sundberg; Avdelningen för konsthistoria och visuella studier; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Modernism; Pop art; New realism; Minimal art; Romanticism; Ruins; Originality; Word and image; Elective affinity; Canon; Outsider; Artist s role; Material iconography; Jan Håfström; Swedish contemporary art; Postmodernism; Art history; Konsthistoria;

    Sammanfattning : In this thesis the oeuvre of the Swedish artist Jan Håfström (born 1937), from his debut in 1966 until 2002, is presented for the first time in a comprehensive approach. Concepts linked to modernism and postmodernism are used as a frame and the art works are discussed in a comparative way, placing the artist in an international context. LÄS MER

  3. 3. (Un)bearable freedom : Exploring the becoming of the artist in education, work and family life

    Författare :Sofia Lindström; Erling Bjurström; Marita Flisbäck; Stephanie Taylor; Linköpings universitet; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; SOCIAL SCIENCES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; SAMHÄLLSVETENSKAP; SAMHÄLLSVETENSKAP; SAMHÄLLSVETENSKAP; HUMANIORA; HUMANIORA; SOCIAL SCIENCES; SOCIAL SCIENCES; HUMANITIES; HUMANITIES; Cultural work; visual artists; subjectivity; discourse analysis; narrative analysis; Konstnärligt arbete; bildkonstnärer; subjektivitet; diskursanalys; narrativ analys;

    Sammanfattning : The aim of this dissertation is to explore and understand three important social contexts for the becoming of an artistic subjectivity: education, work and family life. The empirical data consist of interview material with alumni from the Royal Institute of Art in Stockholm, staff of the institute, and a survey material from the Swedish National Artists Organization (KRO/KIF). LÄS MER

  4. 4. Jag är konstnär! : En studie av erkännandeprocessen kring konstnärskapet i ett mindre samhälle

    Författare :Mia Einarsdotter-Wahlgren; Sociologi; []
    Nyckelord :SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; local art worlds; symbolic interaction; Sociology; art; artists; Sociologi;

    Sammanfattning : I am an artist! describes the process of recognition that surrounds being an artist in a local art world; how boundaries are drawn up not only by the artists themselves, but also others in the art world. It also describes the advantages and restrictions of a local art world as far as the artist´s possibilities to be seen, mentioned, judged and distributed, and also the specific general view which characterises this world. LÄS MER

  5. 5. Historiemåleri och bilder av vardag : Tatjana Nazarenkos konstnärskap i 1970-talets Sovjet

    Författare :Elisabeth Hemby; Hedvig Brander Jonsson; Hlelene Carlbäck; Bia Mankell; Södertörns högskola; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANIORA; HUMANITIES;

    Sammanfattning : This thesis focuses on the Soviet painter Tatyana Nazarenko and her position as an influential artist in the Soviet Union of the 1970’s, a decade when Nazarenko depicted everyday life and events from Russian history. The main purpose of this thesis is to shed light upon the importance of especially these motifs in their historical, political and aesthetic context. LÄS MER