Sökning: "Writing in Film"

Visar resultat 1 - 5 av 28 avhandlingar innehållade orden Writing in Film.

  1. 1. ”Filmreformens förste avantgardist” : Experimentfilmaren Peter Kylberg

    Detta är en avhandling från Mediehistoriskt arkiv, Mediehistoria Lunds universitet

    Författare :Lars Diurlin; Lund University.; Lunds universitet.; [2017-12-19]
    Nyckelord :HUMANIORA; HUMANITIES; Peter Kylberg; Avant-Garde; Experimental; Film Policies; Cultural Policies; Swedish Cinema; Swedish Welfare State; Film Studies; Modernism; Cinematic Modernism; Abstraction; Negation; The Swedish Film Institute; Harry Schein; Svensk Filmindustri; Sandrews; Sveriges Radio; Minor Cinemas; Statens Filmpremienämnd; Diary Film; Exile Film; Autobiographical Film; Trance Film; City Symphonies; Expanded Cinema; Structural Film; Gesamtkunstwerk;

    Sammanfattning : This dissertation is about the Swedish filmmaker, painter and composer Peter Kylberg (1938). Kylberg’s nine films produced between 1959 and 1996 serves as a historical delimitation. A purpose of the study is to critically review the existing historical writing surrounding Swedish film culture and film politics, during the timespan in focus. LÄS MER

  2. 2. Reproducing Languages, Translating Bodies Approaches to Speech, Translation and Cultural Identity in Early European Sound Film

    Detta är en avhandling från Stockholm : Acta Universitatis Stockholmiensis

    Författare :Anna Sofia Rossholm; Växjö universitet.; Stockholms universitet.; [2006]
    Nyckelord :HUMANIORA; HUMANITIES; HUMANITIES and RELIGION Aesthetic subjects Film; HUMANIORA och RELIGIONSVETENSKAP Estetiska ämnen Filmvetenskap; Filmvetenskap; Film Studies; Sound Theory; Translation; Intermediality; Film Speech; European Cinema; Writing in Film; Stardom; Transition to Sound; Film and Theatre;

    Sammanfattning : This study discusses and analyses recorded/filmed speech, translation, and cultural identity in film discourses in early European sound film. The purpose is to frame these issues from a number of theoretical perspectives in order to highlight relations between media, speech and translation. The points of departure are 1. LÄS MER

  3. 3. Early Discourses on Colour and Cinema Origins, Functions, Meanings

    Detta är en avhandling från Stockholm : Acta Universitatis Stockholmiensis

    Författare :Eirik Frisvold Hanssen; Stockholms universitet.; [2006]
    Nyckelord :HUMANIORA; HUMANITIES; colour film; film history; film theory; film technology; film aesthetics; indexicality; intermediality; colour and sound; catalogue; Kinemacolor; Sergei M. Eisenstein; HUMANITIES and RELIGION Aesthetic subjects Film; HUMANIORA och RELIGIONSVETENSKAP Estetiska ämnen Filmvetenskap;

    Sammanfattning : This dissertation is a historical and theoretical study of a number of discourses examining colour and cinema during the period 1909 to 1935 (trade press, film reviews, publications on film technology, manuals, catalogues and theoretical texts from the era). In this study, colour in cinema is considered as producing a number of aesthetic and representational questions which are contextualised historically; problems and qualities specifically associated with colour film are examined in terms of an interrelationship between historical, technical, industrial, and stylistic factors, as well as specific contemporary conceptions of cinema. LÄS MER

  4. 4. En fiende till civilisationen manlighet, genusrelationer, sexualitet och rasstereotyper i svensk filmkultur under 1920-talet

    Detta är en avhandling från Lund : Sekel Bokförlag

    Författare :Tommy Gustafsson; Lund University.; Lunds universitet.; [2007]
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; HUMANITIES and RELIGION Aesthetic subjects Film; HUMANIORA och RELIGIONSVETENSKAP Estetiska ämnen Filmvetenskap; HUMANITIES and RELIGION History and philosophy subjects History subjects History; HUMANIORA och RELIGIONSVETENSKAP Historisk-filosofiska ämnen Historieämnen Historia; INTERDISCIPLINARY RESEARCH AREAS Gender studies; TVÄRVETENSKAPLIGA FORSKNINGSOMRÅDEN Genus; Film Studies; Filmvetenskap; Historia; History; Gender Studies; Genusvetenskap; Boyhood; Censorship; Children; Consumerism; Fatherhood; Gender relations; Love; Masculinity; Melodrama; The pluralism of film; Racism; Sexuality; Swedish film of the 1920s; New woman; Gender Relations; “The Pluralism of film”; The New Woman; Youth Culture; Boyish Masculinity; Queer; Popularity; Stereotypes; Race; Modern Masculinity; Gösta Ekman; Gender; Film Culture; Ethnicity; Class; Homosexuality; Emotions; Consumer Culture; Swedish Film of the 1920s;

    Sammanfattning : The setting for this study is Swedish film culture of the 1920s, which has been studied with a focus on representations of masculinity and gender relations according to four themes: 1) children and youth 2) fatherhood and love 3) sexuality and popularity 4) ethnicity and racial stereotyping.      The rise of new consumer culture in the first decades of the 20th century created turmoil between traditional and modern values, not least when it came to conceptions of gender. LÄS MER

  5. 5. Spökmaskinen Sju förändringar och förflyttningar – gestaltningsprocesser i animerad film

    Detta är en avhandling från Stockholm : Stockholms konstnärliga högskola

    Författare :Nils Claesson; Stockholms konstnärliga högskola.; [2017]
    Nyckelord :HUMANIORA; HUMANITIES; film; animation; stop motion; workstories; life stories; films; experimental art practice in animated film; literature; performance; transfigurations; politics of memory; the inverted Orpheus myth; Bergman; Strindberg; artistic research; improvisation; embodiment; Gestaltung-fiction; Performativa och mediala praktiker; med inriktning mot film och media koreografi opera scen; Performative and mediated practices; with specializations in choreography film and media opera performing arts;

    Sammanfattning : The Ghost Machine is a practice-based research project that explores the process of embodiment in animated film. It describes the process of transfiguration from the artist’s/auteur’s point of view and not from an outside position. LÄS MER