Sökning: "Western art music"
Visar resultat 11 - 15 av 15 avhandlingar innehållade orden Western art music.
11. An Inexplicable Hunger – flutist)body(flute (dis)encounters
Sammanfattning : This doctoral research is structured by singular encounters, that happened between 2014 and 2018. Together with a series of collaborators, I have developed a critical and poetic methodology through what I call “mixture”, “contamination” and the practice of “un-goaling”, in which my “flutist-body-flute” relation encounters the practices of other artists. LÄS MER
12. Musik som handling. Verkanalys, interpretation och musikalisk gestaltning. Med ett studium av Anders Eliassons Quartetto d'Archi
Sammanfattning : The aim of the dissertation is to illustrate the potential musical analysis has in the development of artistic questions with regard to the interpretation and performance of western art music. The analyses of the dissertation focus on Quartetto d’Archi, by the Swedish composer Anders Eliasson, and discussions of music as action, music as emotional expression, music as motion and music as mimesis are based on the four movements of this string quartet. LÄS MER
13. The "New Negro" in the Old World : culture and performance in James Weldon Johnson, Jessie Fauset, and Nella Larsen
Sammanfattning : I denna avhandling studeras europaskildringarna i James Weldon Johnsons The Autobiography of an Ex-Colored Man (1912), Jessie Fausets There Is Confusion (1924) och Nella Larsens Quicksand (1928) och hur dessa speglar afrikansk-amerikanernas roll i den västerländska civilisationen. I 1800-talets afrikansk-amerikanska litteratur figurerar Europa ofta som symbol för frihet och kultur. LÄS MER
14. The "New Negro" in the Old World: Culture and Performance in James Weldon Johnson, Jessie Fauset, and Nella Larsen
Sammanfattning : This thesis investigates the relationship between the “New Negro” moment of the early twentieth-century America and the Old World of Europe, as represented in James Weldon Johnson’s The Autobiography of an Ex-Colored Man (1912), Jessie Fauset’s There is Confusion (1924), and Nella Larsen’s Quicksand (1928). In the nineteenth century, Europe functioned as a symbol of freedom, education and art in the African-American literary imagination. LÄS MER
15. Figures of time : on the phenomenology of cinema and temporality
Sammanfattning : Image and time represent a favored issue among theorists and practitioners in the history of cinema, where discussion is related to the ingenious machine, the new art, as well as the experience of film. Looking back on this debate, and considering recent accounts of 'time-images,' it is striking to note how the problem has always oscillated between issues of the medium specific and issues of film experience; that is, the ontology of cinema as a time-bound medium, the quality of rhythm, duration, and recorded views, and, not least, the sensory and affective impact of mediated sound-images. LÄS MER
