Sökning: "University of Bremen"

Hittade 2 avhandlingar innehållade orden University of Bremen.

  1. 1. Theoretical and Computational Studies of Strongly Correlated Electron Systems : Dynamical Mean Field Theory, X-ray Absorption Spectroscopy and Analytical Continuation

    Författare :Johan Schött; Olle Eriksson; Igor Di Marco; Oscar Grånäs; Patrik Thunström; Tim Wehling; Uppsala universitet; []
    Nyckelord :NATURVETENSKAP; NATURAL SCIENCES; Physics with spec. in Atomic; Molecular and Condensed Matter Physics; Fysik med inriktning mot atom- molekyl- och kondenserande materiens fysik;

    Sammanfattning : This thesis encompasses theoretical and computational studies of strongly correlated elec-tron systems. Understanding how electrons in solids interact with each other is of great im-portance for future technology and other applications. LÄS MER

  3. 2. Die Praxis der Orgelstimmung in Norddeutschland im 17. und 18. Jahrhundert und ihr Verhältnis zur zeitgenössischen Musikpraxis : The practice of organ tuning in North Germany in the seventeenth and eighteenth centuries and its relationship to contemporary musical practice

    Författare :Ibo Ortgies; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; historical performance practice; organ building; pipe making; bellows treading; temperament; tuning; meantone; modified meantone; well-tempered tuning; equal temperament; just intonation; pitch; Chorton; Kammerton; choir pitch; chamber pitch; keyboard compass; split key; subsemitone; short octave; Northern Germany; the Netherlands; Hanseatic cities; Hamburg; Bremen; Lübeck; Alkmaar; Zwolle; Michael Praetorius; Arp Schnitger; Frans Franz Caspar Schnitger; Andreas Werckmeister; Dieterich Buxtehude; organ repertoire; improvisation; ensemble playing; church account books;

    Sammanfattning : Ortgies, Ibo, Die Praxis der Orgelstimmung in Norddeutschland im 17. und 18. Jahrhundert und ihr Verhältnis zur zeitgenössischen Musikpraxis (The Practice of Organ Tuning in North Germany in the 17th and 18th Centuries and its Relationship to Contemporary Musical Practice). Ph. LÄS MER