Sökning: "Tyska"

Visar resultat 6 - 10 av 259 avhandlingar innehållade ordet Tyska.

  1. 6. In Wien kann man zwar nicht leben, aber anders wo kann man nicht l e b e n : Kontinuität und Veränderung bei Raoul Auernheimer

    Författare :Lennart Weiss; Helmut Müssener; Johann Holzner; Uppsala universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Raoul Auernheimer; continuity; change; life; work; journalist; critic; Talent; Laurenz Hallers Praterfahrt; Das Kapital; Die Zeit im Lager; time influence; social conditions; participating observation; criticism of current deficiencies; city of Vienna; style of the Feuilleton; irony; German language; Tyska språket; German; Tyska;

    Sammanfattning : This thesis deals with the nowadays largely unknown Austrian author Raoul Auernheimer (1876-1948). It is an attempt at a presentation of his life and work, the main part dealing with four of his works, the play Talent (1900), the long story Laurenz Hallers Praterfahrt (1913), the novel Das Kapital (1923) and the autobiographical report Die Zeit im Lager (1939). LÄS MER

  3. 7. Erzählverhalten und narrative Sprechweisen : Narratologische Untersuchung von "Effi Briest" mit Schwerpunkt in den Dialogen

    Författare :Bodil Zalesky; Dieter Krohn; Jochen Vogt; Uppsala universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; German language; narrative modes; narrative conduct; narratology; authorial; figural; dialogue; Effi Briest; prolepsis; hybrid speech ; Tyska; German language; Tyska språket; Germanic languages; Linguistics;

    Sammanfattning : A central theme in this dissertation is the relationship between narrative conduct and narrative modes or ways of speaking. Narrative conduct is defined as either authorial (from the perspective of the narrator) or figural (from the perspective of characters). LÄS MER

  4. 8. Gelebte Mehrsprachigkeit im Plattenbau : Untersuchungen von Narrativen und Praktiken russlanddeutscher junger Erwachsener

    Författare :Constanze Ackermann-Boström; Dessislava Stoeva-Holm; Susanne Tienken; Leena Huss; Konstanze Marx; Uppsala universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Russian-Germans; community of practice; identity; migration; small stories; multilingualism; linguistic ethnography; narrative; space; positioning; heritage language; proper names; categorization; East Germany; Plattenbau; Russlanddeutsche; Identität; Migration; Mehrsprachigkeit; Linguistische Ethnographie; Raum; Narrative; Positionierung; Herkunftssprache; Eigennamen; Kategorisierung; Ostdeutschland; Plattenbau; German; Tyska;

    Sammanfattning : This thesis focuses on the lived multilingualism of a group of young Russian-German adults who as children migrated together with their families from post-Soviet states to the Federal Republic of Germany during the 1990s. Today these adults live in a ‘Plattenbau’ housing estate in a small town in one of the new federal states of Germany. LÄS MER

  5. 9. Walter Kempowskis Tadellöser & Wolff im Lichte narratologischer Theorien

    Författare :Kristina Blomqvist; Gernot Müller; Volker Ladenthin; Uppsala universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Walter Kempowski – Narratology – Franz K. Stanzel – Monika Fludernik – Reflectorization – Unreliable narration; Germanic languages; Germanistik; German; tyska;

    Sammanfattning : Walter Kempowski (1929-2007) is one of the most important authors in post-war German literature. In 1971, he published his first novel, Tadellöser & Wolff. LÄS MER

  7. 10. Heinrich von Kleists Amphitryon. Lustspiel nach Molière unter dem Aspekt der Intertextualität im Gesamtwerk

    Författare :Anneli Fjordevik; Gernot Müller; Edgar Platen; Uppsala universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; German language; Heinrich von Kleist; Amphitryon; Erfinden; Verzeichnen; intertextuality; intermediality; literary criticism; Rezeptionstheorie; Tyska; German language; Tyska språket; German; tyska;

    Sammanfattning : The aim of this thesis is to study and typologize the different forms of intertextuality in the works of Heinrich von Kleist (1777-1811). The hypothesis is that Kleist did not set out to be superior in regard to earlier authors; instead he wanted to start a dialogical process with them and to become part of a dialogue. LÄS MER