Sökning: "Trond Lundemo"

Hittade 4 avhandlingar innehållade orden Trond Lundemo.

  1. 1. Bildets oppløsning : filmens bevegelse i historisk og teoretisk perspektiv

    Författare :Trond Lundemo; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Godard; Jean-Luc; 1930-; Welles; Orson; 1915-1985.; Eisenstein; Sergej; 1898-1948; Filmteori; Kinematograf; Montage; Montage-- film;

    Sammanfattning : .... LÄS MER

  3. 2. Sisters! : Förhållandet mellan politisk handling och estetiska strategier i samtida film

    Författare :Petra Bauer; Sverker Sörlin; Trond Lundemo; KTH; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES;

    Sammanfattning : .... LÄS MER

  4. 3. Ontological Ordering : Achieving Audience in Internet Practice

    Författare :Emma Dahlin; Alexa Robertson; Trond Lundemo; Charles Ess; Stockholms universitet; []
    Nyckelord :SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; audience; ontological ordering; empirical philosophy; enactment; ontology; Science and Technology Studies; Media and Communication Studies; medie- och kommunikationsvetenskap;

    Sammanfattning : Against the backdrop of changing technological conditions of the contemporary media landscape, new questions arise regarding how audience can be can problematized and theorized. This dissertation seeks to shift the focus from conventional assumptions of what audience is to an empirical exploration of the specificities of the process through which audience is achieved in practice. LÄS MER

  5. 4. Electronic Labyrinths : An Archaeology of Videographic Cinema

    Författare :Jonathan Rozenkrantz; Trond Lundemo; Malin Wahlberg; Patricia Pisters; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; videographic cinema; video images in films; media archaeology; imaginary media; media imaginaries; live television drama; video therapy; video surveillance; video art; reality TV; mediated memories; media history; YouTube; retro; analogue nostalgia; filmvetenskap; Cinema Studies;

    Sammanfattning : This study scans six decades of film history in search for video images, the imaginaries within which they are framed, and (taking cues from the archaeological methods of Friedrich Kittler and Michel Foucault) their technical, historical, and institutional conditions of existence. The British experimental science fiction film Anti-Clock (Jane Arden and Jack Bond, 1979) revolves around a video device with the capacity to confront subjects with their own repressed memory images. LÄS MER