Sökning: "The concept of abstraction"

Visar resultat 1 - 5 av 44 avhandlingar innehållade orden The concept of abstraction.

  1. 1. Byzantine holy images and the issue of transcendence and immanence : The theological background of the Late Byzantine Palaiologan iconography and aesthetics of the Chora church, Istanbul

    Författare :Anne Karahan; Margareta Rossholm Lagerlöf; Madeleine von Heland; Øystein Hjort; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Aesthetics; Balance; Basil the Great; Byzantine; Cappadocian Fathers; Chora church; Chora museum; Church Father; Fresco; Gregory of Nazianzos; Gregory Nazianzen; Gregory of Nyssa; Holy Image; Icon; Iconography; Immanence; Istanbul; John of Damascus; John Damascene; Kariye Camii; Kariye Müzesi; Kinetics; Late Byzantine; Medieval Art; Mosaic; Mural painting; Palaiologan; Palaeologan; Patristics; Transcendence; Art; Konstvetenskap;

    Sammanfattning : On the basis of theological ideas in the Christian Orthodox tradition in general, and the Cappadocian Fathers in specific, this dissertation examines how the ontology of the transcendent triune God and the human and divine in Christ is implied or manifest in the Late Byzantine Palaiologan mosaics and murals of the Chora church.The study is divided into four chapters. LÄS MER

  2. 2. Interpreting the Haitian Revolution: From the Rights of Man to Human Rights

    Författare :Carl Wilén; Göteborgs universitet; []
    Nyckelord :SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; The Haitian Revolution; Marxist critique of right; The concept of abstraction; The legal form; Social movements; Human rights; Universalism; Inequality;

    Sammanfattning : In recent decades, a ‘Haitian Turn’ has emerged as both academic and public readerships in the anglophone sphere have been flooded by a wave of essays, articles, and monographs on the Haitian Revolution (1791–1804). At the epicentre of the present study is one of the major interpretations of the Haitian Revolution in the Haitian Turn, which I call the ‘universality paradigm’. LÄS MER

  3. 3. Studies on Design Automation of Analog Circuits : the Design Flow

    Författare :Emil Hjalmarson; Svensson Mattiasson; Linköpings universitet; []
    Nyckelord :TECHNOLOGY; TEKNIKVETENSKAP;

    Sammanfattning : During the past few years the concept of system-on-chip (SoC) have become an important segment in the market of integrated circuits. This recent development have increased not only the number of devices and the functionality that can be put on a chip, but the chips now includes both digital and analog circuits. LÄS MER

  4. 4. Det figurala och den rörliga bilden : Om estetik, materialitet och medieteknologi hos Jean Epstein, Bill Viola och Artintact

    Författare :Karl Hansson; Astrid Söderbergh Widding; Dan Karlholm; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Estetik; visuell kultur; filmteori; videokonst; digitala medier; det figurala; haptisk visualitet; Jean Epstein; Bill Viola; Artintact; Film; Filmvetenskap;

    Sammanfattning : This dissertation is a comparative study of the concept of the figural in relation to moving images with three case studies on filmmaker and writer Jean Epstein (1897-1953), video artist Bill Viola (1951-) and the cd-rom art magazine Artintact 1-5 (1994-1999). The conceptually focused case studies also enable a comparison between the different media technologies of film, video and new digital media. LÄS MER

  5. 5. The Movement of a Musical Work : Ernst Krenek’s Opus 20 in the Interwar Years

    Författare :Johan Larson Lindal; Eva Hemmungs Wirtén; Martin Fredriksson; Ingemar Grandin; Julian Johnson; Linköpings universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Actor-Network Theory; Musical work concept; Micro-history; Modernism; Ernst Krenek; Actor-Network Theory; musikaliska verkbegreppet; mikrohistoria; modernism; Ernst Krenek.;

    Sammanfattning : The dissertation studies how one ‘modern’ piece of music from the early 20th century became conceptualised as an idealised musical work: the Third String Quartet, opus 20 (op. 20) by Austrian composer Ernst Krenek (1900–1991). LÄS MER