Sökning: "The Swedish Exhibition Agency"

Hittade 4 avhandlingar innehållade orden The Swedish Exhibition Agency.

  1. 1. Samhällsmuseum efterlyses : Svensk museiutveckling och museidebatt 1965–1990

    Författare :Olof Näsman; Bengt Lundberg; Kerstin Smeds; Richard Pettersson; Stefan Bohman; Umeå universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Museology; Cultural policy; Community Museum; Cultural Heritage Museum; The Swedish Exhibition Agency; Eco-museum; museum field; museum heterodoxa; Museologi; Kulturpolitik; Samhällsmuseum; Kulturarvsmuseum; Utställningar; Riksutställningar; MUS 65; Ekomuseum museifält; museum doxa;

    Sammanfattning : A new cultural policy developed in Sweden in the 1960’s in order to renew the activities of mseums in a more socially relevant direction. The dissertation examines whether the museums adopted the new policy and to what extent the objectives were achieved. LÄS MER

  3. 2. The Patent Office on Display : Intellectual Property in the Public Eye

    Författare :Isabelle Strömstedt; Eva Hemmungs Wirtén; Gustav Källstrand; Megan Richardson; Linköpings universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Exhibition; Narrative; Microhistory; Anniversaries; Patent system;

    Sammanfattning : In 1941, the Swedish Patent and Registration Office (PRV) celebrated its fiftieth anniversary as an independent agency. The major event of this celebration was an exhibition at the Swedish National Museum of Science and Technology titled Idé – Patent – Produkt. LÄS MER

  4. 3. det meränmänskliga museet : Konservatorns bevarandepraktik som flyktlinje i modernitetens museum

    Författare :Caroline Owman; Christina Fredengren; Märit Simonsson; Stefan Bohman; Lotten Gustafsson Reinius; Umeå universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Museology; museum; modernity; conservation; conservator; curator; more-than-human; posthumanism; environmental humanities; material feminisms; anthropocentrism; agency; dualism; dichotomies; agential realism; schizoanalysis; onto-ethico-epistemology; climate change; process ontology; care; thing ethics; killable creatures; invasive species; ecology; time; rhythm; alternative temporalities; intra-generational; Museologi; museum; modernitet; konservering; konservator; curator; more-than-human; posthumanism; miljöhumaniora; materiell feminisms; antropocentrism; agens; dualism; dikotomier; agentiell realism; schizoanalys; onto-etisk-epistemologi; klimatförändring; processontologisk; omsorg; tingetik; dödbara djur; skadedjur; ekologisk; tid; rytm; alternativa temporaliteter; intra-generationell; museology; museologi;

    Sammanfattning : This thesis takes the conservator as a starting point to explore more-than-human aspects of the museum of modernity. Assuming that built-in obstacles impinge when museums today deal with environmental issues‚ it investigates new and alternative perspectives on the engagement with our immediate surroundings, in this case the museum objects. LÄS MER

  5. 4. Vems hand är det som gör? : En systertext om konst/hantverk, klass, feminism och om viljan att ta strid

    Författare :Frida Hållander; Moa Matthis; Hanna Hallgren; Katarina Bonnevier; Konstfack; []
    Nyckelord :HUMANIORA; HUMANITIES; artistic research; craft; ceramics; textile; class; feminism; willfulness; autoethnography; together - making; artistic research; craft; ceramics; textile; class; feminism; willfulness; autoethnography; together-making;

    Sammanfattning : Whose hand is making? And how can we understand craft practices in dialogue with society through making and objects? How do we understand objects that manifest resistance? This dissertation in artistic research explores craft practices within the fields of ceramics and textile, through the method and form of autoethnography, and on the basis of an intersectional perspective. It understands making as embodied experience and knowledge, conditioned, but not always bounded, by societal structures, and it documents the resistance against, and the resilience of, repressive structures, in dialogues and struggles where objects gain agency. LÄS MER