Sökning: "Symbolic Production"
Visar resultat 1 - 5 av 70 avhandlingar innehållade orden Symbolic Production.
1. Swedish Fashion 1930–1960 : Rethinking the Swedish Textile and Clothing Industry
Sammanfattning : The aim of this thesis is to explore the development of Swedish fashion between 1930 and 1960 by examining the textile and clothing industry from the wider perspective of fashion production. It was during this period that Sweden was transformed into a leading industrial nation, which laid the foundation for increased prosperity in the post-war period. LÄS MER
2. Symbolic image interpretation : by parsing, interpreting, and pruning
Sammanfattning : .... LÄS MER
3. Utanför experimentlådan : kunskapsproduktion, tid och materia i förskolans naturvetenskapsundervisning
Sammanfattning : The aim of this thesis is to contribute knowledge on conditions for science teaching in preschool. While Swedish preschool practices commonly build on children’s subjective experiences, scientific knowledge production is often associated with objectivity and detachedness. LÄS MER
4. Discursos fronteiri�os de jovens mo�ambicanos : A linguagem, as ideologias e as subjetividades na colonialidade contempor�nea
Sammanfattning : Why are we talking about coloniality in postcolonial times? And what does language have to do with it? In addressing these two broad questions, this thesis sets out to provide empirically well-grounded reflections focusing: First, on how young Mozambicans’ linguistic repertoires and discursive practices relate to their sense of being in the world. And second, on how their perceptions resonate with recent sociolinguistic debates about the different roles language and ideologies play in constructing and reproducing conditions of contemporary coloniality. LÄS MER
5. 'Dior without Dior' : Tradition and Succession in a Paris Couture House, 1957-2015
Sammanfattning : This study explores how the French luxury fashion house, Dior has mobilised its power over a 70 year period through the constructed persona of the designer, who functions as a figurehead, together with the brand’s heritage. It investigates how the house of Dior reinvented itself after the death of its founder in 1957 through the charismatic succession of a series of designers; Yves Saint Laurent, Marc Bohan, Gianfranco Ferré, John Galliano, and finishes in 2015 with the departure of Raf Simons. LÄS MER
