Sökning: "Swedish romanticism"
Visar resultat 1 - 5 av 48 avhandlingar innehållade orden Swedish romanticism.
1. Jag spelar er förväntan : självdramatisering i Paul Anderssons diktverk Berättarna
Sammanfattning : Being one of the central poets in the Swedish neo-Romantic movement of the early 1950's, Paul Andersson (1930-1976) was surrounded by a bright authorial aura even before he published his first poems at the age of 21. In 1953, Andersson's reputation became nationwide when the influential poet and critic Karl Vennberg declared him to be a genius. LÄS MER
2. "Det romantiska tidehvarfvet" : De svenska romantikernas medeltidsuppfattning
Sammanfattning : The dissertation deals with the view of the Middle Ages in the Swedish Romantic Movement in the first half of the 19th century. A presentation is given of the treatment of the Middle Ages in the historical and fictional works of the Romantics, and it is shown how this treatment was influenced by both their philosophical outlook and their view of contemporary morality and politics. LÄS MER
3. Vackrare vardagsvara – design för alla? : Gregor Paulsson och Svenska Slöjdföreningen 1915–1925
Sammanfattning : This thesis is structured in six chapters. Chapter I contains an introduction and includes purpose, theory, method, and concepts. LÄS MER
4. Svenska Pommern : kulturmöten och identifikation 1720–1815
Sammanfattning : Between 1648 and 1815, Swedish-Pomerania, at the Baltic shore, belonged to the crown of Sweden. It was both a part of the Holy Roman Empire of German Nation and the Swedish realm. The port town of Stralsund played a key roll in the Swedish economy at the Baltic Sea, whereas the university town of Greifswald was the intellectual centre. LÄS MER
5. Invoking the modal nymph: The emergence and dissemination of the concept of modality in Swedish folk music
Sammanfattning : Since the emergence of a concept of folk music, the study and practice of certain Western European musical traditions has been informed by notions of the music’s modality. Specifically, the idea that older or more indigenous layers of traditional repertoires manifest an underlying, pre-tonal structure of their own has been significant in scholarship, musical education, and performance. LÄS MER