Sökning: "Swedish art history of the nineteenth century"
Visar resultat 1 - 5 av 11 avhandlingar innehållade orden Swedish art history of the nineteenth century.
1. Up the Stylish Staircase : Situating the Fürstenberg Gallery and Art Collection in a Late Nineteenth-Century Swedish Art World
Sammanfattning : This dissertation investigates the establishment (in 1885), the influence, the critical reception, and the legacy of the Fürstenberg Gallery and Art Collection in Gothenburg, Sweden. The aim of this research is to demonstrate how the gallery and the collection were products and producers of specific art-historical situations, within a particular nineteenth-century Swedish art world. LÄS MER
2. Skräddaren, sömmerskan och modet : Arbetsmetoder och arbetsdelning i tillverkningen av kvinnlig dräkt 1770-1830
Sammanfattning : The aim of this study in textile studies and cultural history is to gain a greater understanding of what happened to the division of labour and manufacturing techniques when female fashions changed in the period 1770-1830. This was a time of upheaval as regards fashions, and a change in dress practice. LÄS MER
3. Skåda all världens uselhet : visuell pedagogik och reformism i det sena 1800-talets populärkultur
Sammanfattning : This doctoral dissertation analyzes practices of looking within popular culture during the late nineteenth century. Visual attractions, illustrated press and traveling amusement shows included representations of social ills, such as poverty, criminality and prostitution. LÄS MER
4. I väntan på hufvudpersonen : Identitet och identifikation i svensk skämtbild 1870-1900
Sammanfattning : In the decades around 1900, political and social cartoons flourished in humour and satire magazines in the Swedish capital. The thesis presents a new theoretical start on the nature of humour in cartoons: the idea of the comical is argued as effects of reality notions and bracketing reality notions. LÄS MER
5. Grez-sur-Loing revisited. The international artists' colony in a different light
Sammanfattning : This thesis examines the rural artists’ colony in Grez-sur-Loing and its art from the heyday of the community, 1875–1885, when artists from North America, England, Scotland, Ireland, and Scandinavia were gathering in the French village. The international community has hitherto been viewed separately along national or linguistic lines. LÄS MER