Sökning: "Swedish Folk Music"
Visar resultat 1 - 5 av 16 avhandlingar innehållade orden Swedish Folk Music.
1. Sensing Traditional Music Through Sweden's Zorn Badge : Precarious Musical Value and Ritual Orientation
Sammanfattning : This thesis investigates the multiple and contested spaces of belonging that may be evoked by ritualised musical performance. It makes an ethnographic case study of the Zorn Badge Auditions in Sweden, in which musicians play before a jury in the hope of being awarded a Zorn Badge and a prestigious but also contested title: Riksspelman. LÄS MER
Sammanfattning : The present study seeks to examine attitudes to teaching and learning among jalis in the Gambia. Although this is the main focus, the horizon of which the study is carried out, analysed and discussed, is the development of music teacher education in Sweden during the last three decades, and of which I have been a participant. LÄS MER
Sammanfattning : This artistic research project is an explorative study in new forms of expression of Swedish folk singing in a scenic context, exploring expressive qualities in traditional Swedish folk song from the point of view of the folk singer as a creative performer. The fundamental research question is how, in a scenic context, can space be given to what is a characteristic quality of traditional folk song, namely creative interpretation in the moment, through variation and improvisation using the song as a concept rather than a fixed work. LÄS MER
Sammanfattning : The aim of this dissertation is to examine the style of the Swedish entertainer Povel Ramel (1922-2007) as a composer and lyricist of popular songs, and to elucidate his relation to the older popular music culture, denoted "the age of melody". In the main part of the study the author analyses more than 80 works by Ramel, which he created in the 1950s and 60s. LÄS MER
Sammanfattning : The point of departure for this ethnomusicological study is the increasing interest in vocal genres and expressions in Swedish folk music milieus from the late 1980s. This “vocal vogue” is linked to the process in which folk music moves from a state of revitalization to a state of established “genre” or subculture/micromusic. LÄS MER