Sökning: "Sweden film"

Visar resultat 1 - 5 av 148 avhandlingar innehållade orden Sweden film.

1. 1. Film på konstmuseum : Nationalmuseums möten med filmmediet 1945–1950

   Författare :Jimmy Pettersson; Jessica Sjöholm Skrubbe; Peter Gillgren; Maria Görts; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; History of media; Film; Avant-garde film; Experimental film; Art film; Non-theatrical film; Educational film; Film exhibition; Art museum; Nationalmuseum; Viking Eggeling; Hans Richter; Museum of Modern Art; Iris Barry; FIAF; Film society; konstvetenskap; Art History;

   Sammanfattning : This dissertation presents a number of previously-forgotten practices and ‘expected opportunities’ which surrounded film at the Swedish National Museum of Fine Arts (Nationalmuseum), between 1945 and 1950. The dissertation is structured around three projects and each project has its own chapter. LÄS MER

3. 2. Extracting versatility : Films commissioned by the mining industry in postwar Sweden

   Författare :Ole Johnny Fossås; Marina Dahlquist; Bo Florin; Zoë Druick; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; film history; swedish film; sponsored film; industrial film; useful cinema; mining; Sápmi; non-theatrical film; public service television; film distribution; the Swedish Film Institute; Radio Sweden; documentary film; film policy; filmhistoria; beställningsfilm; svensk film; industrifilm; informationsfilm; Sápmi; gruvindustrin; Svenska Filminstitutet; Sveriges Radio; Cinema Studies; filmvetenskap;

   Sammanfattning : This study investigates how films commissioned by Swedish mining companies were employed for institutional use between 1945 and 1965. A central aspect of what gave these films their versatility stems from circumstances that allowed commissioned texts to pass as non-partisan audiovisual aids, as educational and informative instruments and as occasional examples of film art through intermediaries. LÄS MER

4. 3. Filmen i försvarets tjänst : Undervisningsfilm i svensk militär utbildning 1920–1939

   Författare :Annika Wickman; Patrick Vonderau; Malin Wahlberg; Mats Jönsson; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; assemblage; useful cinema; non-theatrical film; educational film; silent film; training film; instructional media; film exhibition; film production; visual instruction; military education; interwar period; Sweden; filmvetenskap; Cinema Studies;

   Sammanfattning : Film and other visual media played a significant role in the modernization efforts of the Swedish Armed Forces during the interwar period. Driving the effort to establish educational cinema within the armed forces was an association called Föreningen Armé-, Marin- och Flygfilm (AMF), run by military officers. LÄS MER

5. 4. The Coming of Sound Film in Sweden 1928-1932 : New and Old Technologies

   Författare :Christopher Natzén; Maaret Koskinen; Bo Florin; Kevin Donnelly; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; coming of sound film; formative music; cinema in the 1920s; Sweden; intermediality; cinema musicians; Svensk Filmindustri; trade press; cinema as event; internal logic of perception; external logic of perception; advertisement; Film; Filmvetenskap; Cinema Studies; filmvetenskap;

   Sammanfattning : This dissertation examines the coming of sound film in Sweden during the years 1928–1932, and the reception of mechanically recorded sounds both in the trade press and among audiences. The novelty of sound film opened up for a negotiation of the perception of sound and image, as it made visible the film medium’s technological construction, before this visibility was once more absorbed by the cinematic discourse. LÄS MER

7. 5. Locating Inter-Scandinavian Silent Film Culture : Connections, Contentions, Configurations

   Författare :Anne Bachmann; Jan Olsson; Mark Sandberg; Stockholms universitet; []
   Nyckelord :HUMANIORA; HUMANITIES; film history; silent film; Scandinavia; transnational film; film discourse; location; censorship; film adaptation; Cinema Studies; filmvetenskap;

   Sammanfattning : The thesis revisits film and film-culture history in Sweden, Denmark and Norway with a view to discourses and practices of the inter- and trans-Scandinavian in the silent era. Excluding the earliest films, but including the transition to synchronised sound, it covers the period of the 1900s to 1930 with emphasis on the 1910s and 1920s. LÄS MER