Visar resultat 1 - 5 av 14 avhandlingar innehållade ordet Surrealism.
Sammanfattning : This study examines the intersection of surrealism and feminism in the writing of Angela Carter. Tracing the full extent to which Carter’s writing was influenced by surrealist aesthetics and politics, it reveals the way in which her growing discontent with the movement’s gender politics gave critical content to her own feminist poetics. LÄS MER
Sammanfattning : This dissertation is mainly concerned with the photography of Christer Strömholm. In studying his work semiotics is used as a method in analysing the rhetoric of his photographs and their relations to the photographic world, the artworld and the lifeworld. LÄS MER
Sammanfattning : The dissertation examines Grafikskolan Forum, the Forum School of Printmaking in Malmö, Sweden, and its roots in the surrealist inspired view of the artistic creative process that focused upon automatism, chance events and accidents. The point of departure is the thoughts on artistic creativity of the leader of French surrealism, André Breton. LÄS MER
Sammanfattning : Following the end of World War II, the surrealist founder André Breton organized the exhibition Le Surréalisme en 1947. In conjunction with it, he announced a “change in direction” for surrealism, towards the search for a new myth, replete with magic. LÄS MER
5. L’autoportrait textuel par Claude Cahun : Énonciation, formes génériques et détournement dans Aveux non avenus (1930)
Sammanfattning : The purpose of the present thesis is to examine the modes of enunciation (“mode d’énonciation”) and the use of text genres in relation to thematic and semantic aspects of Claude Cahun’s book, Aveux non avenus (Disavowals: or, Cancelled Confessions)(1930), which consists of text fragments. Claude Cahun, who is mostly known for her photographic self-portraits, was active on the margins of surrealism in Paris in the 1920s. LÄS MER