Sökning: "Surrealism"

Visar resultat 1 - 5 av 14 avhandlingar innehållade ordet Surrealism.

  1. 1. "A Feminist Libertarian Aesthetic" : Angela Carter and Surrealism

    Författare :Anna Watz; Sara Danius; Stephen Donovan; Sarah Gamble; Lusty Natalya; Uppsala universitet; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANIORA; HUMANITIES; Angela Carter; surrealism; Xavière Gauthier; André Breton; feminism; avant-garde; psychoanalysis; eroticism; representations of women;

    Sammanfattning : This study examines the intersection of surrealism and feminism in the writing of Angela Carter. Tracing the full extent to which Carter’s writing was influenced by surrealist aesthetics and politics, it reveals the way in which her growing discontent with the movement’s gender politics gave critical content to her own feminist poetics. LÄS MER

  2. 2. Burkkänslan : surrealism i Christer Strömholms fotografi : en undersökning med semiotisk metod

    Författare :Anders Marner; Roland Spolander; Henning Hansen; Umeå universitet; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANIORA; HUMANITIES; Art history; semiotics; cultural semiotics; visual semiotics; photography; semiotics of photography; surrealism; surrealist photography; rhetoric; photographic rhetoric; Art; Konstvetenskap; konstvetenskap; History Of Art;

    Sammanfattning : This dissertation is mainly concerned with the photography of Christer Strömholm. In studying his work semiotics is used as a method in analysing the rhetoric of his photographs and their relations to the photographic world, the artworld and the lifeworld. LÄS MER

  3. 3. Arvet efter surrealismen : Grafikskolan Forum 1964-1991

    Författare :Kristina Mezei; Uppsala universitet; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANIORA; HUMANITIES; Art history; printmaking; prints; chance; automatism; surrealism; etching; engraving; Imaginism; creativity; 20th century art; Cobra; Breton; Lundberg; Hayter; Konstvetenskap; Art; Konstvetenskap; History Of Art; konstvetenskap; Grafisk; Konst; Sverige; Efterkrigstiden; Undervisningsväsen;

    Sammanfattning : The dissertation examines Grafikskolan Forum, the Forum School of Printmaking in Malmö, Sweden, and its roots in the surrealist inspired view of the artistic creative process that focused upon automatism, chance events and accidents. The point of departure is the thoughts on artistic creativity of the leader of French surrealism, André Breton. LÄS MER

  4. 4. Haloed Objects on Mental Parade : Myth and Magic in Post-War Surrealist Cinema

    Författare :Kristoffer Noheden; Astrid Söderbergh Widding; Malin Wahlberg; Patricia Allmer; Stockholms universitet; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANIORA; HUMANITIES; surrealism; André Breton; mythology; esotericism; intertextuality; intermediality; Wilhelm Freddie; Benjamin Péret; Nelly Kaplan; Jan Švankmajer; Gaston Bachelard; Walter Benjamin; primitivism; embodied experience; initiation; art history; Pierre Mabille; Cinema Studies; filmvetenskap;

    Sammanfattning : Following the end of World War II, the surrealist founder André Breton organized the exhibition Le Surréalisme en 1947. In conjunction with it, he announced a “change in direction” for surrealism, towards the search for a new myth, replete with magic. LÄS MER

  5. 5. L’autoportrait textuel par Claude Cahun : Énonciation, formes génériques et détournement dans Aveux non avenus (1930)

    Författare :Anne Duch; Françoise Sullet-Nylander; Bengt Novén; Henri Scepi; Stockholms universitet; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANIORA; HUMANITIES; Self-portrait; fragment; enunciation; text genres; détournement; autobiography; intertextuality; Symbolism; Surrealism; collage; women’s history; gender; social critique; French; franska;

    Sammanfattning : The purpose of the present thesis is to examine the modes of enunciation (“mode d’énonciation”) and the use of text genres in relation to thematic and semantic aspects of Claude Cahun’s book, Aveux non avenus (Disavowals: or, Cancelled Confessions)(1930), which consists of text fragments. Claude Cahun, who is mostly known for her photographic self-portraits, was active on the margins of surrealism in Paris in the 1920s. LÄS MER