Sökning: "Stockholms Konstnärliga Högskola"

Visar resultat 1 - 5 av 24 avhandlingar innehållade orden Stockholms Konstnärliga Högskola.

  1. 1. Skådespelaren i barnteatern : utmaningar för oss som spelar teater för barn och unga : en doktorsavhandling i praktisk kunskap

    Författare :Niklas Hald; Ingela Josefsson; Karin Helander; Ingrid Elam; Ronny Ambjörnsson; Stockholms konstnärliga högskola; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANIORA; HUMANITIES; Barnteater; Barn och teater; Skådespelarkonst; Skådespeleri; Barnteater; Praktisk kunskap; Teater; Skådespelarkonst; Skådespeleri; Skådespelare; Konstnärlig forskning; Artistic practices; Konstnärliga praktiker;

    Sammanfattning : Syftet med denna avhandling är att visa på den komplexitet som skådespelarens arbete med teater för barn och unga innebär. Avhandlingstexten utgår från en kritisk granskning av min egen professionella erfarenhet av att spela teater för barn och unga. LÄS MER

  2. 2. Textens transfigurationer

    Författare :Jonas Forssell; Karin Helander; Anders Wiklund; Stockholms konstnärliga högskola; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANIORA; HUMANITIES; Libretto; Opera; Konstnärlig forskning; Artistic practices; Konstnärliga praktiker; ”think aloud”-studies; hermeneutics; artistic research; script; opera; musical dramaturgy; libretto; translation; composing; screen writing;

    Sammanfattning : This thesis focuses on the opera text enlightened from four different perspectives: the translator, the librettist, the composer and finally the singer, based on the author’s thirty years of professsional practice, in the spirit of Donald A. Schön’s study from 1983: The Reflective Practitioner; How professionals think in action. LÄS MER

  3. 3. Composing The Performance : An Exploration Of Musical Composition As A Dramaturgical Strategy In Contemporary Intermedial Theatre

    Författare :Kent Olofsson; Henrik Frisk; Erik Rynell; Camilla Eeg-Tverbakk; Stockholms konstnärliga högskola; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANIORA; HUMANITIES; Musical composition; Dramaturgy; Composed theatre; Intermedial theatre; New music theatre; Interdisciplinary performing arts; Contemporary theatre; Sonic scenography; Collaborative artistic work; New dramaturgy; Musical composition; Composed Theatre; Interdisciplinary performing art;

    Sammanfattning : This thesis explores musical composition in the context of contemporary theatre. It suggests methods where compositional thinking – broadly understood – can be used as a dramaturgical device in the creation of theatre performances. LÄS MER

  4. 4. Släpp sångarna loss! : Genus, gestaltningsnormer och konstnärligt handlingsutrymme i opera

    Författare :Tove Dahlberg; Wilhelm Carlsson; Tiina Rosenberg; Astrid Kvalbein; Stockholms konstnärliga högskola; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANIORA; HUMANITIES; opera; gestaltning; sångare; röstfack; sopran; mezzo; roll; byxroll; genus; genusnyfiken; norm; normkreativ; normkritik; handlingsutrymme; agens; femininitet; maskulinitet; ickebinär; klassisk musik; approximativ intonation; intimitet; sexualitet; dragking; sårbarhet; tillit; Degree of Doctor of Philosophy in Fine Arts in Performative and Media Based Practices with Specialisation in Opera; Degree of Doctor of Philosophy in Fine Arts in Performative and Media Based Practices with Specialisation in Opera;

    Sammanfattning : Abstract:My dissertation is taken from an opera singer’s perspective and the aim is three-fold: ·         to investigate and problematize how gender and performance norms are reproduced on the opera stage·         to provide tools and propose approaches to transform gender perspective and norm critique into a creative artistic practice, enabling conscious and active artistic choices in relation to gender and performance norms·         to explore ways to expand the singer's artistic agency. The artistic research project draws on knowledge from both my own practice as a professional opera singer and my collaborators’ experiences from the worlds of opera, classical music and theatre. LÄS MER

  5. 5. Avhandling / Av_handling (Dissertation / Through_action)

    Författare :Malin Arnell; Anna Koch; Hanna Hallgren; Teresa Maria Diaz Nerio; Stockholms konstnärliga högskola; []
    Nyckelord :HUMANITIES; HUMANIORA; HUMANIORA; HUMANITIES; duration space-time-language matter ; knowledge production tacit; embodied; experiential ; performance art body art; live art; happenings ; choreography diffractive methods and techniques ; performativity human and non-human agentiality ; embodiment vulnerability; intimacy; force; power ; participation mutual co-constitutiveness ; invitation contractual engagement and accountability ; environment void; fullness ; embodied affinities human and more-than-human ; orientation; posthumanities; agential realism; feminism; artistic research; expositional strategies; enactment re-enactments ; live dissertation through live act ion s ; documentation affective; embodied ; Hannah Arendt; Karen Barad; Gina Pane; YES! Association Föreningen JA!; Duration; Koreografi; Kunskapsproduktion; Performativ konst; Förkroppsligande; Delaktighet; Invitation; Konstnärlig forskning...; Performativa och mediala praktiker; med inriktning mot film och media koreografi opera scen; Performative and mediated practices; with specializations in choreography film and media opera performing arts; duration space-time-language matter ; knowledge production tacit; embodied; experiential ; performance art body art; live art; happenings ; embodiment vulnerability; intimacy; force; power ; environment void; fullness ; documentation affective; embodied ;

    Sammanfattning : If we are being-of-the-world, how can we ever avoid participation? From this question Avhandling / Av_handling (Dissertation / Through_ action) unfolds. It invites to engage in an ongoing continuum of entanglements, where the moment of connection is unavoidable. LÄS MER