Sökning: "Slavic medieval culture"

Hittade 3 avhandlingar innehållade orden Slavic medieval culture.

  1. 1. Cheroubika in the Russian Liturgical Tradition

    Författare :Maria Engström; Högskolan Dalarna; []
    Nyckelord :Slavic medieval culture; Old Russian literature; hymnography; Cherubika; Orthodox liturgy; Orthodox theology; rhetoric;

    Sammanfattning : This thesis is a contribution to a growing field of studies on the reception of Byzantine culture in Russia. The object of investigation is the history of the Church Slavonic translation of the Cherubika, which constitute one of the most ancient and dogmatically important functional genres of Byzantine liturgical hymns. LÄS MER

  3. 2. Cheruvimskie pesnopenija v russkoj liturgičeskoj tradicii

    Författare :Maria Engström; Per-Arne Bodin; Per Ambrosiani; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Slavic medieval culture; Old Russian literature; hymnography; Cherubika; Orthodox liturgy; Orthodox theology; rhetoric; Russian language; Ryska språket;

    Sammanfattning : This thesis is a contribution to a growing field of studies on the reception of Byzantine culture in Russia. The object of investigation is the history of the Church Slavonic translation of the Cherubika, which constitute one of the most ancient and dogmatically important functional genres of Byzantine liturgical hymns. LÄS MER

  4. 3. Bildet sett fra innsiden : Ikonoklastiske og matematiske konsepter i Florenskijs omvendte perspektiv

    Författare :Fabian Heffermehl; Mattias Martinson; Elena Namli; Per-Arne Bodin; Uppsala universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; icon; reverse perspective; image; Russia; modernism; mathematics; geometry; avant-garde; cult; utopia; apocalypsis; Systematic Theology and Studies in Worldviews; Systematisk teologi med livsåskådningsforskning; Slaviska språk; Slavic Languages; Konstvetenskap; History of Art;

    Sammanfattning : For the Armenian-Russian mathematician, theologian and art-theoretician Pavel Florensky (1882–1937), the so-called reverse perspective of the Byzantine cult-image (in Greek: eikon) functioned not only as a phenomenon within painting, but also as an expression of a world-view that should ultimately define a cultural distinction between Russia and Europe. Florensky argued in various ways that the Russian-Orthodox reverse perspective represents ethical and aesthetical values that are superior to the Western linear perspective. LÄS MER