Sökning: "Singing practice"

Visar resultat 1 - 5 av 26 avhandlingar innehållade orden Singing practice.

  1. 1. "Dödshugget mot vår nationella tonkonst". Hæffnertidens koralreform i historisk, etnohymnologisk och musikteologisk belysning

    Detta är en avhandling från Anders Dillmar, Bernadottevägen 51, 75 48 Uppsala

    Författare :Anders Dillmar; Lunds universitet.; Lund University.; [2001]
    Nyckelord :HUMANIORA; HUMANITIES; Theomusicology; Ethnohymnology; Early German literary romanticism; 19th century; Sweden; Johann Christian Friedrich Hæffner; Chorale book; Congregational hymn singing; Old way of singing; Singing practice; Ornamentation; Individualized way of singing; Heterophony; Regular singing; Chorale reform; Four-part singing; Iso-rhythmical performance; Chorale tempo; Harmonisation of hymn tunes; Legato; Moravian singing practice; Symbolism of organ; Organ playing of chorales; Aesthetics of chorale.; Musicology; Musikvetenskap;

    Sammanfattning : Popular Abstract in Swedish I denna bok undersöks det begynnande 1800-talets svenska reform av kyrkosången. I fokus står J C F Hæffners koralbok 1820, med dess privat utgivna andra del 1821, som här för första gången ägnas en ingående idéhistorisk analys. Hæffners utgåva har kritiserats hårt för att ha tagit död på den s.k. LÄS MER

  2. 2. Die Choralreform in den Ostseeprovinzen in der ersten Hälfte des 19. Jahrhunderts. Ein Beitrag zur Geschichte des protestantischen Kirchengesangs in Estland und Livland

    Detta är en avhandling från studio · verlag, Zehnthofstrasse 2, D-53489 Sinzig, Germany

    Författare :Toomas Siitan; Lunds universitet.; Lund University.; [2003]
    Nyckelord :HUMANIORA; HUMANITIES; Organ playing of chorales; Moravian singing practice; Regular singing; Old way of singing; Singing practice; Aesthetics of chorale; Congregational hymn singing; Ethnohymnology; Hymnology; Baltic provinces; Livonia; Estonia; Chorale book; 19th century; Chorale reform; Music education in 19th century; National culture; Historicism.; Musicology; Musikvetenskap;

    Sammanfattning : The present thesis analyzes the reform of congregational singing in Livonia and Estonia in the first half of the 19th century. In this process the writings on the aesthetics of the congregational singing of a German pastor Johann Leberecht Ehregott Punschel (1778–1849) active in Livonia, and a chorale book (1839) that he edited occupied the central place. LÄS MER

  3. 3. Signing and Singing : Children in Teaching Dialogues

    Detta är en avhandling från Göteborg : University of Gothenburg

    Författare :Tina Kullenberg; Göteborgs universitet.; Gothenburg University.; [2014]
    Nyckelord :SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; HUMANIORA; HUMANITIES; teaching; children; singing; sociocultural perspective; social interaction; cultural tools; communicative activity type; double dialogicality; signing; music; educational science;

    Sammanfattning : The dissertation examines children’s dialogical sense-making in task-oriented teaching activities, the aim of which is to explore children’s values and ideas in musical learning, in order to investigate how musical knowledge is constructed collaboratively through different levels of dialogicality. Hence, the study addresses the organizational resources and values at stake when children take part in pedagogical dialogues. LÄS MER

  4. 4. Singing the body electric Understanding the role of embodiment in performing and composing interactive music

    Detta är en avhandling från Lund : Lund University Open Access

    Författare :Anna Einarsson; Kungl. Musikhögskolan.; [2017]
    Nyckelord :HUMANIORA; HUMANITIES; music composition; embodiment; singing; interactive music; live electronics; affordances; performance technologies; computer music;

    Sammanfattning : Almost since the birth of electronic music, composers have been fascinated by the prospect of integrating the human voice with its expressiveness and complexity into electronic musical works. This thesis addresses how performing with responsive technologies in mixed works, i.e. LÄS MER

  5. 5. “Lasciatemi morire” o farò “La Finta Pazza”: Embodying Vocal Nothingness on Stage in Italian and French 17th Century Operatic Laments and Mad Scenes

    Detta är en avhandling från Göteborg : University of Gothenburg

    Författare :Elisabeth Belgrano; Göteborgs universitet.; Gothenburg University.; [2011]
    Nyckelord :HUMANIORA; HUMANITIES; voice; singing; nothingness; je-ne-sais-quoi; 17th century opera; pure voice; lamentation; madness; passions; emotions; nightingale; transformation; ornamentation; observation; improvisation; interpretation; vocal expression; embodiment; creative process; performance; repetition; movement; inner images; artistic research;

    Sammanfattning : This music research drama thesis explores and presents a singer’s artistic research process from the first meeting with a musical score until the first steps of the performance on stage. The aim has been to define and formulate an understanding in sound as well as in words around the concept of pure voice in relation to the performance of 17th century vocal music from a 21st century singer’s practice-based perspective with reference to theories on nothingness, the role of the 17th century female singer, ornamentation (over-vocalization) and the singing of the nightingale. LÄS MER