Sökning: "Self-portrait"

Hittade 5 avhandlingar innehållade ordet Self-portrait.

  1. 1. L’autoportrait textuel par Claude Cahun Énonciation, formes génériques et détournement dans Aveux non avenus (1930)

    Detta är en avhandling från Stockholm : Department of Romance Studies and Classics, Stockholm University

    Författare :Anne Duch; Stockholms universitet.; [2017]
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Self-portrait; fragment; enunciation; text genres; détournement; autobiography; intertextuality; Symbolism; Surrealism; collage; women’s history; gender; social critique; French; franska;

    Sammanfattning : The purpose of the present thesis is to examine the modes of enunciation (“mode d’énonciation”) and the use of text genres in relation to thematic and semantic aspects of Claude Cahun’s book, Aveux non avenus (Disavowals: or, Cancelled Confessions)(1930), which consists of text fragments. Claude Cahun, who is mostly known for her photographic self-portraits, was active on the margins of surrealism in Paris in the 1920s. LÄS MER

  2. 2. Spegling och skapande : En studie i Lena Cronqvists "Målaren och hennes modell"

    Detta är en avhandling från Stockholm : Konstvetenskapliga institutionen

    Författare :Nina Weibull; Stockholms universitet.; [2006]
    Nyckelord :HUMANIORA; HUMANITIES; Self-portrait; Mirror; Creativity; Nude; Gaze; Gender; Paraphrase; Psychoanalysis; Primary Process Thinking; Border Object ; Mother s Body; Identity; Ambiguity; Androgyny; Alchemy; Vanity; Narcissus; Medusa; Freud; Lacan; Klein; Irigaray; Modersohn-Becker; Matisse; Kahlo; Helen Chadwick; HUMANITIES and RELIGION Aesthetic subjects Art; HUMANIORA och RELIGIONSVETENSKAP Estetiska ämnen Konstvetenskap;

    Sammanfattning : For their self-representation painters are referred to the use of existing codes of representation. These codes can be modified by displacement of conventional meaning. In the historically central discourse of the figure of the artist, the model functions as a complementary aspect of the painter. LÄS MER

  3. 3. Whirling Stories Postsocialist Feminist Imaginaries and the Visual Arts

    Detta är en avhandling från Linköping : Linköping University Electronic Press

    Författare :Redi Koobak; Linköpings universitet.; Linköpings universitet.; [2013]
    Nyckelord :SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; Gender; postsocialist; feminist imaginaries; lag discourse; Western feminist theory; geopolitics; temporality; visual arts; self-portrait photography; sexuality; queer; Anna-Stina Treumund; Estonia; Genus; postsocialistisk; feministiska föreställningar; diskurs om eftersläpning; västerländsk feministisk teori; geopolitik; temporalitet; bildkonst; självporträtt; fotografi; sexualitet; queer; Anna-Stina Treumund; Estland.;

    Sammanfattning : This thesis is about the geopolitics of feminist knowledge and the role of the visual arts in conceiving and reconfiguring postsocialist feminist imaginaries. Its central concern is to contest the fantasy, prevalent within Western feminist theorizing, of a “lag” between Western and former Eastern Europe. LÄS MER

  4. 4. Ordkonst och levnadskonst Det skrivande subjektet i John Ashberys, Yves Bonnefoys och Inger Christensens diktning

    Detta är en avhandling från Lund : Språk- och litteraturcentrum, Lunds universitet

    Författare :Erik Erlanson; [2017]
    Nyckelord :HUMANIORA; HUMANITIES; 20th Century Poetry; Aesthetics; Agamben; Arts of Existence; Avant-garde; Ashbery; Bonnefoy; Christensen; Experience; Foucault; Subjection; Subjectivation; Comparative literature; Litteraturvetenskap;

    Sammanfattning : The chief aim of this thesis is to investigate the use of language called poetry during the second half of the 20th century and how the writing subject is implicated in it. Building on the theoretical perspectives enabled by Michel Foucault’s late work on the technologies of the self, I analyze the practices of writing in John Ashbery’s, Inger Christensen’s and Yves Bonnefoy’s poetry. LÄS MER

  5. 5. Ordkonst och levnadskonst : Det skrivande subjektet i John Ashberys, Yves Bonnefoys och Inger Christensens diktning

    Detta är en avhandling från Lund : Språk- och litteraturcentrum, Lunds universitet

    Författare :Erik Erlanson; Lunds universitet.; Lund University.; [2017-01-04]
    Nyckelord :HUMANIORA; HUMANITIES; 20th Century Poetry; Aesthetics; Agamben; Arts of Existence; Avant-garde; Ashbery; Bonnefoy; Christensen; Experience; Foucault; Subjection; Subjectivation;

    Sammanfattning : The chief aim of this thesis is to investigate the use of language called poetry during the second half of the 20th century and how the writing subject is implicated in it. Building on the theoretical perspectives enabled by Michel Foucault’s late work on the technologies of the self, I analyze the practices of writing in John Ashbery’s, Inger Christensen’s and Yves Bonnefoy’s poetry. LÄS MER