Sökning: "Sculptor"
Visar resultat 1 - 5 av 6 avhandlingar innehållade ordet Sculptor.
1. Huvudbaner och anvapen under stormaktstiden
Sammanfattning : This is the first major piece of research which has been carried out dealing with funeral escutcheons and ancestral coats of arms which are typical of the period when Sweden was a great power. Funeral escutcheons and ancestral coats of arms are wooden shields which were often carried at noblemen’s funerals and afterwards were hung in the church where the funeral service took place. LÄS MER
2. Rytmens estetik, formens kraft
Sammanfattning : We meet rhythm as a concept for composition within all forms of art. In this thesis I discuss visual and spatial rhythms. In my research I have reflected about how one via rhythmisation can build up the feeling of a work’s internal movement. LÄS MER
3. Rytmens estetik
Sammanfattning : AbstractThe Aesthetics of RhythmLena HopschChalmers University, ArchitectureRhythm as a significant factor in music and poetry is relatively well scientifically documented. In sculpture and architecture, however, rhythm is a fairly unexplored area, perhaps due to the complex character of the subject and, moreover, in visual art knowledge of the significance of rhythm is mainly acquired by studying individual artists and architects. LÄS MER
4. Såsom en människa : Kristustolkningar i svensk 1900-talskonst
Sammanfattning : The mass production of Christian art in the 19th century, including all the reproductions of the Christ by the Danish sculptor Bertel Thorvaldsen, has contributed to a cliché that many persons perceive as a true portrait of the historical Jesus, even though it ultimately stands, not for a historical probability, but for the classical ideal of noble beauty. The thesis takes up representations of Christ by a score of Swedish artists. LÄS MER
5. The Late etruscan votive heads from Tessennano. A study of production, distribution and sociohistorical context
Sammanfattning : The Late etruscan terracotta votive heads from Tessennano were found near a rural sanctuary about a hundred km to the North of Rome in 1956. Whereas the facial fronts are serially produced with moulds, the backs are handmade. LÄS MER
