Sökning: "Roberto Bresin"
Visar resultat 1 - 5 av 10 avhandlingar innehållade orden Roberto Bresin.
1. Virtual virtuosity
Sammanfattning : This dissertation presents research in the field ofautomatic music performance with a special focus on piano. A system is proposed for automatic music performance, basedon artificial neural networks (ANNs). LÄS MER
2. Interactive sonification of motion : Design, implementation and control of expressive auditory feedback with mobile devices
Sammanfattning : Sound and motion are intrinsically related, by their physical nature and through the link between auditory perception and motor control. If sound provides information about the characteristics of a movement, a movement can also be influenced or triggered by a sound pattern. LÄS MER
3. Crafting Experience : Designing Digital Musical Instruments for Long-Term Use in Artistic Practice
Sammanfattning : This thesis collects a series of publications that all present work where digital musical instruments (DMIs) played a central role. While the papers focus on the individual projects where the DMIs where created, the first part of this thesis describes patterns and insights arrived at by comparing the projects and the DMIs, as well as discuss them in the context of other contemporary research. LÄS MER
4. Crafting New Interfaces for Musical Expression
Sammanfattning : This thesis collects and contextualizes several projects involving artistically directed prototyping where new artifacts have been developed, in multi-disciplinary groups of practitioners, for use in performance contexts. These projects and their resulting publications have been team efforts, and therefore all papers have more than one author. LÄS MER
5. Interactive computer-aided expressive music performance : Analysis, control, modification and synthesis
Sammanfattning : This thesis describes the design and implementation process of two applications (PerMORFer and MoodifierLive) for the interactive manipulation of music performance. Such applications aim at closing the gap between the musicians, who play the music, and the listeners, who passively listen to it. LÄS MER