Sökning: "Reception Theory"
Visar resultat 21 - 25 av 111 avhandlingar innehållade orden Reception Theory.
21. Bebådelsebilder : Om bildbruk under medeltiden
Sammanfattning : This thesis investigates the Annunciation motif and the use of images in a medieval socio-cultural context. There are almost 400 medieval images of the Annunciation from the period 1150–1550 in Sweden today. It is found in murals, baptismal fonts, paintings, wooden sculpture, stone reliefs, liturgical vessels, textile works and altarpieces. LÄS MER
22. Porträttbruk i Sverige 1840-1865 : En funktions- och interaktionsstudie
Sammanfattning : The purpose of this study is to illuminate the production and use of portraits in Sweden from 1840 to 1865. The initial year was when photography reached this country and the period ends with the crisis for portrait photography, in which an excessive number of practitioners wasreduced by bankruptcies. LÄS MER
23. Att lyssna till röster. Ett vidgat lyssnandebegrepp i ett didaktiskt perspektiv
Sammanfattning : This thesis has two points of departure and four main purposes. The first point of departure concerns the narrow perspective of the listening skill in Swedish. The first purpose is to show the lack of attention to the listening skill in research and mother tongue education in the Swedish compulsory school. LÄS MER
24. Gefiolierte blüte kunst : Eine kognitionslinguistisch orientierte Untersuchung zur Metaphorik in Frauenlobs Marienleich
Sammanfattning : Heinrich of Meißen, also known as Frauenlob († 1318), is a central figure in Middle High German literature. As is evident from its early reception, his work was highly admired in the middle ages. In research literature, however, his ‘obscure’ poetry initially was faced with a lack of understanding. LÄS MER
25. A Composite Modernist Composer : A Study of Intersections between Composition, Theorizing, and Performance in Olivier Messiaen
Sammanfattning : Different professional roles within music change over time. The evolution of modernism in twentieth century art music elevated the composer to the pinnacle of musical creativity. Accomplished modernist composers came to be regarded as intellectuals, and were expected to hold rational conceptions of their individual styles. LÄS MER