Sökning: "Portraiture"

Visar resultat 11 - 15 av 15 avhandlingar innehållade ordet Portraiture.

  1. 11. Whirling Stories : Postsocialist Feminist Imaginaries and the Visual Arts

    Författare :Redi Koobak; Nina Lykke; Cecilia Åsberg; Jackie Stacey; Linköpings universitet; []
    Nyckelord :SAMHÄLLSVETENSKAP; SOCIAL SCIENCES; Gender; postsocialist; feminist imaginaries; lag discourse; Western feminist theory; geopolitics; temporality; visual arts; self-portrait photography; sexuality; queer; Anna-Stina Treumund; Estonia; Genus; postsocialistisk; feministiska föreställningar; diskurs om eftersläpning; västerländsk feministisk teori; geopolitik; temporalitet; bildkonst; självporträtt; fotografi; sexualitet; queer; Anna-Stina Treumund; Estland.;

    Sammanfattning : This thesis is about the geopolitics of feminist knowledge and the role of the visual arts in conceiving and reconfiguring postsocialist feminist imaginaries. Its central concern is to contest the fantasy, prevalent within Western feminist theorizing, of a “lag” between Western and former Eastern Europe. LÄS MER

  3. 12. Spegling och skapande : En studie i Lena Cronqvists "Målaren och hennes modell"

    Författare :Nina Weibull; Tomas Björk; Margaretha Lagerlöf; Anette Göthlund; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Self-portrait; Mirror; Creativity; Nude; Gaze; Gender; Paraphrase; Psychoanalysis; Primary Process Thinking; Border Object ; Mother s Body; Identity; Ambiguity; Androgyny; Alchemy; Vanity; Narcissus; Medusa; Freud; Lacan; Klein; Irigaray; Modersohn-Becker; Matisse; Kahlo; Helen Chadwick; Art; Konstvetenskap;

    Sammanfattning : For their self-representation painters are referred to the use of existing codes of representation. These codes can be modified by displacement of conventional meaning. In the historically central discourse of the figure of the artist, the model functions as a complementary aspect of the painter. LÄS MER

  4. 13. “Bridal Couples" : On Hybridity in Conceptual Chinese Photography 1995–2009

    Författare :Eva Aggeklint; Marja Kaikkonen; Julia F. Andrews; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; China; Reform Period China; Contemporary Chinese Art; Contemporary Chinese Photography; Conceptual Photography; Bridal Photography; Bridal Couples; Art Market; Auction Houses; Third Space; Hybrid; Hybridity; Hybridisation; Interpretation; Asian Languages and Cultures; Asiens språk och kulturer;

    Sammanfattning : Chinese art of the 1990s responded to the many changes in the environment and thereby to changes in personal lives. Many Chinese artists of the time were therefore concerned with their selves and their works reveal explorations of personal identity. LÄS MER

  5. 14. Spiritual transcendence and androgyny within Swedish and Finnish transnational Symbolism

    Författare :Birte Bruchmüller; Göteborgs universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; turn of the twentieth-century art; Symbolist art; transnational art movement; Swedish historiography; Finnish historiography; spiritual transcendence; androgyny; Magnus Enckell; Olof Sager-Nelson; Ellen Thesleff; Beda Stjernschantz; Tyra Kleen;

    Sammanfattning : This Doctoral thesis is an examination of a group of Swedish and Finnish artists and their role as important and active participants in a transnational Symbolist movement. It deals with the depiction of the spiritually enhanced human body in the work of the Swedish artists Olof Sager-Nelson and Tyra Kleen, and the Finnish artists Magnus Enckell, Ellen Thesleff and Beda Stjernschantz, as one central topic within the European Symbolist art movement. LÄS MER

  7. 15. Making in Context : Reconsidering Anders Zorn's Oil Painting Practice

    Författare :Emma Jansson; Sabrina Norlander Eliasson; Anna Bortolozzi; Jorgen Wadum; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Anders Zorn; oil painting; technical art history; technical analysis; materiality; material culture; conservation science; nineteenth century; juste milieu; modernism; modernity; Impressionism; Paris Salon; secessionism; konstvetenskap; Art History;

    Sammanfattning : Anders Zorn is one of the most well-known Swedish artists of the late nineteenth century. Born 1860 in the Dalecarlian town of Mora, the artist’s works were renowned and sought-after during his lifetime, both at home and abroad. LÄS MER