Sökning: "Poetical form"

Visar resultat 1 - 5 av 8 avhandlingar innehållade orden Poetical form.

  1. 1. Form and philosophy in Sándor Weöres' poetry

    Författare :Susanna Fahlström; Uppsala universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Finno-Ugric languages - general; Sándor Weöres; Hungarianliterature; Hungarian poetry; Hungarian language; Rhetorics; Stylistics; Text analysis; Text stylistics; Poetical form; Poeticalstructure; Philosophy in poetry; Religion in poetry; Finsk-ugriska språk - allmänt; Finno-Ugric languages; Finsk-ugriska språk; Finsk-ugriska språk; Finno-Ugric Languages;

    Sammanfattning : This dissertation, by presenting comprehensive analyses of six poems by the Hungarian poet Sándor Weöres, investigates the poetical forms and the poetical philosophies in these texts. The poems represent specific philosophic spheres of Weöres' poetry. LÄS MER

  3. 2. "L'Écume serait mère encore" : "Ondes " de Guillaume Apollinaire

    Författare :Ylva Lindberg; Margareth Wijk; Uppsala universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Literature; Guillaume Apollinaire; modern poetry; Ondes ; Calligrammes; science; semiotic; structuralism; cubism; simultaneity; Delaunay; Litteraturvetenskap; Literature; Litteraturvetenskap; Literature; litteraturvetenskap;

    Sammanfattning : This dissertation concerns "Ondes" ("Waves") (1912-1914), the first section of Guillaume Apollinaire’s second collection of poems, Calligrammes (1918). "Ondes" is an important part in the poet’s production, because it was written around 1913. For Apollinaire this year is marked by an extreme creativity and a desire to find a new poetical issue. LÄS MER

  4. 3. Minnets fosterland : Tid och teknik hos Atterbom, Geijer och Stagnelius

    Författare :Casper Virkkula; Paula Henrikson; Torsten Pettersson; Peter Henning; Uppsala universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Per Daniel Amadeus Atterbom; Erik Gustaf Geijer; Erik Johan Stagnelius; Bernard Stiegler; Martin Heidegger; technics; technology; time; temporality; memory; cultural memory; myth; mythology; Swedish Romanticism; nationalism; Literature; Litteraturvetenskap;

    Sammanfattning : This dissertation examines the form and role of Romantic memory as it pertains to the concepts of time and technics in the works of the Swedish Romanticist authors Per Daniel Amadeus Atterbom (1790–1855), Erik Gustaf Geijer (1783–1847), and Erik Johan Stagnelius (1793–1823). The study examines how these authors use and reshape memories in an abstract sense – memories of historical events, mythological motifs, and metaphysical ideas – through the lens of cultural memory. LÄS MER

  5. 4. La poésie oraculaire de Nostradamus : Langue, style et genre des Centuries

    Författare :Anna Carlstedt; Mats Forsgren; Ritva Jakobsson; Mireille Huchon; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Nostradamus; Centuries; style; language; genre; oracular poetry; quatrain; French; Renaissance; linguistic and thematic studies; onomastics; melancholy.; French language; Franska språket;

    Sammanfattning : This dissertation is a study of the work of Michel de Nostredame (Nostradamus). Born in Provence, France in 1503, this true "Renaissance man” (astrologer, doctor of medicine and translator) achieved fame with the publication of his Centuries or “Prophecies”. LÄS MER

  7. 5. Det mörka våldet : Spåren av en subjektsprocess i Kerstin Ekmans författarskap

    Författare :AnnSofi Andersdotter; Torsten Pettersson; Birgitta Holm; Rikard Schönström; Uppsala universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Literature; Subject in process; abjection; melancholia; idealisation; mother symbiosis; preoidipal father; Oedipal father; literature – psychoanalysis; Kristeva; violence; Litteraturvetenskap; Literature; Litteraturvetenskap; Literature; litteraturvetenskap;

    Sammanfattning : This thesis examines the writings of Kerstin Ekman and focuses on twelve of her works. The first is her debut novel 30 meter mord (1959), a detective novel, and the last Knivkastarens kvinna, an epic-lyric story in verse, published in 1990 though written 1984. LÄS MER