Sökning: "Philosophy in poetry"
Visar resultat 1 - 5 av 31 avhandlingar innehållade orden Philosophy in poetry.
1. A Multiform Desire : A Study of Appetite in Plato’s Timaeus, Republic and Phaedrus
Sammanfattning : This dissertation is a study of appetite in Plato’s Timaeus, Republic and Phaedrus. In recent research is it often suggested that Plato considers appetite (i) to pertain to the essential needs of the body, (ii) to relate to a distinct set of objects, e.g. food or drink, and (iii) to cause behaviour aiming at sensory pleasure. LÄS MER
2. Form and philosophy in Sándor Weöres' poetry
Sammanfattning : This dissertation, by presenting comprehensive analyses of six poems by the Hungarian poet Sándor Weöres, investigates the poetical forms and the poetical philosophies in these texts. The poems represent specific philosophic spheres of Weöres' poetry. LÄS MER
3. Världsmaskinen. Emanuel Swedenborgs naturfilosofi
Sammanfattning : The Swedish natural philosopher Emanuel Swedenborg (1688–1772) thought in his early scientific career that the world was like a gigantic machine, following the laws of mechanics and geometry. The work presented here is a study of his mechanistic worldview and metaphorical way of thinking up to the year 1734, examining most of his fields of interest, from geometry and metaphysics to technology and mining engineering. LÄS MER
4. Mutual implications: otherness in theory and John Berryman's poetry of loss
Sammanfattning : This thesis examines John Berryman’s poetry of loss together with four different theoretical perspectives. It is the purpose of the study to involve Berryman’s poetry and critical theory in a dialogue which attempts to break down the hierarchy that positions theory as the subject and literature or poetry as the object of study. LÄS MER
5. The Edge of Perception : The Psychology of the Seen and the Unseen in the Works of William Wordsworth and Samuel Taylor Coleridge
Sammanfattning : This thesis investigates the psychological dimensions of sense perception in the works of two key poets in the British Romantic tradition - William Wordsworth and Samuel Taylor Coleridge - using a combination of traditional close reading and a newer psychobiographical approach. The thesis proposes that Wordsworth's and Coleridge's works can be seen as staging a dialogue between two mutually incompatible habits of sense perception, with Coleridge experiencing perception as metaphysically divisive, and Wordsworth experiencing it as metaphysically unifying (once the mind learns to correctly process sensory gaps). LÄS MER