Sökning: "Performing arts"

Visar resultat 16 - 20 av 200 avhandlingar innehållade orden Performing arts.

  1. 16. Moving through Choreography – Curating Choreography as an Artistic Practice

    Författare :Marie Fahlin; André Lepecki; Cristina Caprioli; Joanna Sandell; Stockholms konstnärliga högskola; []
    Nyckelord :HUMANIORA; HUMANITIES; Choreography; curating; dressage; centaur; centauring; exhibition; exhibitor; articulation; affect; transposition; composition; transcarnation; touch; tack; aids; terminology; ‘found practice’; ‘found choreography’; expanded choreography; one; oneness; manège; poetry; intimacy; listening; entanglement; embodiment; discursivity; diagram; performing; preforming; Utbildning på forskarnivå i performativa och mediala praktiker; Third-Cycle Studies in Performative and Mediated Practices;

    Sammanfattning : The purpose of the artistic research, Moving through Choreography – Curating Choreography as an Artistic Practice, has been to consider choreography and curating in their similarities and differences. Thus, at different phases of the working process, choreography and curating were treated as one and the same artistic practice; while, in other moments, as practices that are distinct from each other. LÄS MER

  2. 17. Levandegörandets poetik : På spaning efter musikdramat Gränsland och transformationen av dramat via text, vokalt och instrumentalt agerande

    Författare :Kerstin Perski; Kristina Hagström-Ståhl; Bengt Bok; Sten Sandell; Stockholms konstnärliga högskola; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; opera; libretto; music and text; dramaturgy; music drama; cross-border methods; collaborative processes; reciprocal processes; sketches; phenomenological method; intentionality; common intentionality; emotional figured bass; the terrain map; physical poetry; vocal acting; instrumental acting; synergy; synesthetic connections; the transformation navigator; the third image; emotional gesticulation; emotional enrichment; I–Thou; I–It; opera; libretto; text; dramaturgi; musikdramatik; transformation; gränsöverskridande metoder; kollaborativa processer; reciproka processer; skisser; fenomenologisk metod; intentionalitet; gemensam intentionalitet; känslomässig generalbas; terrängkartan; fysikalisk poesi; vokalt agerande; instrumentalt agerande; synergi; synestetiska samband; transformationsvägvisare; den tredje bilden; emotionell gestikulation; emotionell anrikning; Jag–Du; Jag–Det; Performativa och mediala praktiker; med inriktning mot film och media koreografi opera scen; Performative and mediated practices; with specializations in choreography film and media opera performing arts;

    Sammanfattning : From the librettist’s perspective, the traditional working methods which tend to dominate in the creation of new music drama, often result in a situation where the initial intentions are lost along the way. How can we get away from a rigid methodology, where the different professionals involved in the creation of new music drama have to succumb to a procedure which can be likened to a whispering game? A procedure, where the dramatic content, rather than undergoing an emotional enrichment in its transformation into music, often loses the crucial connections to the initial intentions. LÄS MER

  3. 18. Performing Power : The Political Masks of King Gustav III of Sweden (1771-1792)

    Författare :Maria Berlova; Willmar Sauter; Roland Lysell; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; Gustav III; theatricality; theatrical playing; staging; pageant; performative communication; Theatre Studies; teatervetenskap;

    Sammanfattning : King Gustav III founded the Swedish National Theater and Opera, participated in the court theater as playwright, director and actor and he was rightly called the Theater King. The King’s passion for acting was perceived in the past as a psychological weakness, which won him the appellation of wimp (fjant). LÄS MER

  4. 19. Rättens iscensättning : rum, framträdanden, gränser

    Författare :Erik Mattsson; Willmar Sauter; Leif Dahlberg; Dirk Gindt; Stockholms universitet; []
    Nyckelord :HUMANIORA; HUMANITIES; performance; power; theatre; ritual; space; trial; law; kulturella iscensättningar; makt; teater; ritual; rum; tingsrätt; rättegång; Theatre Studies; teatervetenskap;

    Sammanfattning : This dissertation studies legal practice and representation from the perspective of Theatre- and Performance Studies. It aims to describe and analyse the theatrical, ritualistic and spatial aspects of law, its practices, representations and buildings. More specifically, the dissertation explores the trial as a performance. LÄS MER

  5. 20. Zero magic : Shifting the Valuation Convention

    Författare :Simon Goldin; Manuel Borja-Villel; Kungl. Konsthögskolan; []
    Nyckelord :HUMANIORA; HUMANITIES; HUMANIORA; HUMANITIES; Goldin Senneby; Simon Goldin; Jakob Sennebt; Malin Nilsson; Théo Bourgeron; artistic research; magic trick; patent; finance; financial markets; short selling; value; valuation; Fine Art; Fri Konst; Goldin Senneby; Simon Goldin; Jakob Senneby; Malin Nilsson; Théo Bourgeron; Art; Artistic research; Magic; Trick; Patent; Finance; Financial markets; Short selling; Value; Valuation; Secrets;

    Sammanfattning : Zero Magic is a trick for the financial markets, which has the capacity to undermine the perceived value of a publicly traded company and profit from this. Short selling is a way of profiting from loss: Making money if and when a target company loses in value. LÄS MER